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Research

Professor Beth Harland

Formerly at Lancaster University

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  1. Chapter (peer-reviewed)
  2. Published

    Art spectatorship and haptic visuality: an eye movement analysis exploring painting and embodied cognition

    Harland, E. J. & Donnelly, N., 02/2017, Sensory Arts and Design. Heywood, I. (ed.). London: Bloomsbury Academic, p. 175-187 12 p. (Sensory Studies Series).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  3. Conference paper
  4. Published

    Painting as drift: Roland Barthes’ paintings and the pleasure of the margin

    Harland, E. J., 30/03/2015.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  5. Exhibition
  6. Published

    Impermanent Durations: On Painting and Time (Part 3)

    Harland, E. J., Thomas, D., Lisbon, L. & Woo, I., 13/10/2017

    Research output: Exhibits, objects and web-based outputs › Exhibition

  7. Published

    Impermanent Durations; On Painting and Time: (part 2)

    Harland, E. J., 29/07/2016

    Research output: Exhibits, objects and web-based outputs › Exhibition

  8. Published

    Impermanent Durations; On Painting and Time: (part 1)

    Harland, E. J., 18/06/2016

    Research output: Exhibits, objects and web-based outputs › Exhibition

  9. Published

    The opinion makers 2

    Harland, B., 16/12/2014

    Research output: Exhibits, objects and web-based outputs › Exhibition

  10. Published

    painting/tableau/stage

    Harland, B., 24/09/2013

    Research output: Exhibits, objects and web-based outputs › Exhibition

  11. Published

    Behind the eyes: making pictures

    Harland, B., 2013

    Research output: Exhibits, objects and web-based outputs › Exhibition

  12. Published

    The seventh billion citizen

    Harland, B., 2012

    Research output: Exhibits, objects and web-based outputs › Exhibition

  13. Journal article
  14. Published

    The spectatorship of portraits by naïve beholders

    Trawiński, T., Mestry, N., Harland, B., Liversedge, S. P., Godwin, H. J. & Donnelly, N., 28/02/2021, In: Psychology of Aesthetics, Creativity, and the Arts. 15, 1, p. 3-19 17 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  15. Published

    The influence of pupil alignment on spectator address in Manet's portraiture

    Donnelly, N., Harland, E. J., Thompson, N. & Liversedge, S. P., 1/05/2017, In: Psychology of Aesthetics, Creativity, and the Arts. 11, 2, p. 167-178 12 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  16. Published

    Abstracting the Set: Monet's cathedrals and stable mental concepts from serial pictorial artworks

    Kass, J., Harland, E. J. & Donnelly, N., 2015, In: Art and Perception. 3, 2, p. 139-150 12 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  17. Published

    Modes of address in pictorial art: an eye movement study of Manet’s Bar at the Folies-Bergère

    Harland, B., Gillett, J., Mann, C. M., Kass, J., Godwin, H. J., Liversedge, S. P. & Donnelly, N., 06/2014, In: Leonardo. 47, 3, p. 241-248 8 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  18. Published

    A fragment of time in the pure state: painting in search of haptic time

    Harland, B., 05/2009, In: Journal of Visual Art Practice. 8, 1-2, p. 37-58 22 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  19. Editorial
  20. Published

    Editorial: painting and cinema

    Finch, M. & Harland, E. J., 1/04/2015, In: Journal of Contemporary Painting. 1, 1, p. 5-9 5 p.

    Research output: Contribution to Journal/Magazine › Editorial › peer-review

  21. Book
  22. Published

    Painting: critical and primary sources

    Harland, B. & Manghani, S., 19/11/2015, 1 ed. Bloomsbury. 1788 p.

    Research output: Book/Report/Proceedings › Book

  23. Published

    Behind the eyes, making pictures

    Harland, E. J., 1/06/2013, London: RGAP. 63 p.

    Research output: Book/Report/Proceedings › Book

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