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Research

Professor Geraldine Harris

Emeritus

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  1. 2020
  2. Published

    Re-Readings, Unmarked The Politics of Performance by Peggy Phelan

    Harris, G., 20/07/2020, In: Contemporary Theatre Review. 30, 2, p. 278-279 2 p.

    Research output: Contribution to Journal/Magazine › Book/Film/Article review

  3. 2019
  4. Published

    Performing Transnational Feminist Solidarity? The Vagina Monologues and One Billion Rising

    Harris, G. M., 1/03/2019, In: Theatre Journal. 71, 1, p. 29-48 20 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  5. 2018
  6. Published

    Introduction: Feminisms Now

    Gorman, S., Harris, G. M. & Harvie, J., 10/10/2018, In: Contemporary Theatre Review. 28, 3, p. 278-284 7 p.

    Research output: Contribution to Journal/Magazine › Editorial › peer-review

  7. 2017
  8. Published

    Investigating 'Fame-inism': the politics of popular culture

    Ferreday, D. J. & Harris, G. M., 1/12/2017, In: Feminist Theory. 18, 3, p. 239-243 5 p.

    Research output: Contribution to Journal/Magazine › Editorial › peer-review

  9. 2016
  10. Published

    Ceci n’est pas un argument appropré (this is not a proper argument)

    Harris, G. M., 2016, In: Studies in Theatre and Performance. 36, 1, p. 52-57 6 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  11. Published

    Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man

    Harris, G. M., 2016, Reframing Immersive Theatre : The Politics and Pragmatics of Participatory Performance. Frieze, J. (ed.). UK: Palgrave, p. 265-288 23 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  12. 2015
  13. Published

    Entertaining discussion: the Long Table and Porch Sitting

    Harris, G. M., 2015, The only way home is through the show. Harvie, J. & Weaver, L. (eds.). London and Bristol: Live Art Development Agency and Intellect, p. 204-209 6 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  14. 2014
  15. Published

    Post-postfeminism? Amelia Bullmore’s Di and Viv and Rose, April de Angelis’s Jumpy and Karin Young’s The Awkward Squad.

    Harris, G., 2014, In: Contemporary Theatre Review. 24, 2, p. 177-191 15 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  16. 2013
  17. Published

    The ethics and politics of witnessing Whoopi

    Harris, G., 2013, Visions and revisions: performance, memory, trauma. Trezise, B. & Wake, C. (eds.). Copenhagen: Museum Tusculanum Press, University of Copenhagen, p. 115-130 16 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  18. 2012
  19. Published

    A return to form? postmasculinist television drama and tragic heroes in the wake of The Sopranos.

    Harris, G., 12/2012, In: New Review of Film and Television Studies. 10, 4, p. 443-463 21 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  20. Published

    A good night out for the girls: popular feminisms in contemporary theatre and performance

    Harris, G. & Aston, E., 2012, London: Palgrave Macmillan. 232 p.

    Research output: Book/Report/Proceedings › Book

  21. 2011
  22. Published

    Aging provocateurs and spect(er)acular pub(l)ic performances

    Stevens Abbitt, E., Frank, J., Harris, G. & Mock, R., 2011, In: Performance Research. 16, 2, p. 50-56 7 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  23. Published

    Apres toutes ces elles/ after all this else: ‘new’ French feminisms translated to the British scene

    Harris, G., 2011, Contemporary French Theatre and Performance. Finburgh, C. & Lavery, C. (eds.). Palgrave Macmillan, p. 224-235 12 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  24. 2009
  25. Published

    Watching Whoopi : the politics and ethics of the ethics of witnessing.

    Harris, G., 05/2009, In: Performance Paradigm. 5, 1, p. n/a

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  26. 2008
  27. Published

    Susan and Darren : the appearance of authenticity.

    Harris, G., 12/2008, In: Performance Research. 13, 4, p. 4-15 12 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  28. 2007
  29. Published

    How to shop

    Harris, G., 2007, Bobby Baker: redeeming features of daily life. Barrett, M. & Baker, B. (eds.). London: Routledge, p. 191-195 5 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  30. Published

    Integrity: the essential ingredient

    Harris, G. & Aston, E., 2007, Bobby Baker: redeeming features of daily life. Barrett, M. & Baker, B. (eds.). London: Routledge, p. 109-116 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  31. Published

    Performance practice and process: contemporary [women] practitioners.

    Aston, E. & Harris, G., 2007, Basingstoke: Palgrave Macmillan. 194 p.

    Research output: Book/Report/Proceedings › Book

  32. 2006
  33. Published

    Beyond Representation: Television Drama and the Politics and Aesthetics of Identity.

    Harris, G. M., 2006, Manchester University Press. 200 p.

    Research output: Book/Report/Proceedings › Book

  34. Published

    Feminist futures? theatre, performance, theory

    Harris, G. M. & Aston, E., 2006, Palgrave Macmillan. 243 p.

    Research output: Book/Report/Proceedings › Book

  35. Published

    It's good to look at one's own shadow: a women's international festival and questions for international feminism

    Harris, G., Aston, E. & Simic, L., 2006, Feminist futures? :theatre, performance, theory . Aston, E. & Harris, G. (eds.). Houndmills: Palgrave Macmillan, p. 169-189 21 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  36. Published

    Turing Test: doo-cot Theatre Company's Frankenstein : The Final Blasphemy and the limits of the (post) human.

    Harris, G. M., 2006, Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang, 133 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  37. 2004
  38. Published

    Foreshadowings and After Blows: Fiona Templeton’s The Medead

    Harris, G., 2004, In: Studies in Theatre and Performance. 23, 3, p. 165-177 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  39. 2002
  40. Published

    Double acts, theatrical couples, and Split Britches' 'Double Agency'

    Harris, G., 08/2002, In: New Theatre Quarterly. 18, 3, p. 211-221 11 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  41. 1999
  42. Published

    Repetition, quoting, plagerism and iterability (Europe after the rain - again).

    Harris, G., 06/1999, In: Studies in Theatre Production. 19

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  43. Published

    Staging Femininities: Performance and Performativity

    Harris, G., 1999, Manchester: Manchester University Press.

    Research output: Book/Report/Proceedings › Book

  44. 1998
  45. Published

    Introduction to Part II: Women Taking the Stage: Women in Theatre 1660-1960

    Harris, G., 1998, The Routledge Reader in Gender and Performance. Goodman, L. (ed.). London: Routledge

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  46. Published

    The I of the Beholder: Annie Sprinkle Revisited

    Harris, G., 1998, Shattered Anatomies: Traces of the Body in Performance. Heathfield, A., Templeton, F. & Quick, A. (eds.). Arts Council Great Britan/Arnolfini

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  47. 1996
  48. Published

    Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic

    Harris, G., 1996, In: TDR. 40, 4, p. 70-84 15 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  49. 1994
  50. Published

    Confusions of identity in theory and practice

    Harris, G., 1994, In: Contemporary Theatre Review. 2, 1, p. 11-23 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  51. Published

    Gender and Devising

    Harris, G., 1994, In: Studies in Theatre Production. 9, p. 2-19 18 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  52. Published

    The archetype and its shadow, Medea and the everyday

    Harris, G., 1994, Women and theatre: occasional papers . Gale, M. & Bassnett, S. (eds.). 2 ed. Department of Drama and Theatre Arts, University of Birmingham, p. 11-27 16 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  53. 1992
  54. Published

    Yvette Guilbert: la femme moderne on the British stage

    Harris, G., 1992, The New Woman and Her Sisters. Gardner, V. & Rutherford, S. (eds.). Ann Arbor: University of Michigan Press, p. 115-133 19 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  55. 1989
  56. Published

    But Is It Art? Female Performers in the Café-Concert

    Harris, G., 1/11/1989, In: New Theatre Quarterly. 5, 20, p. 334-347 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  57. 1987
  58. Published

    A Great Bath of Stupidity: Audience and Class in the Cafe-Concert

    Harris, G., 1987, In: Theatrephile. 2, p. 3-15 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

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