TY - JOUR

T1 - A Belgian transect

T2 - field broadcast in the expanded field of ecology

AU - Arnold, Bram Thomas

AU - Birch, Rebecca Jane

AU - Smith, Rob

PY - 2015

Y1 - 2015

N2 - This article sets out the notion of a Field Broadcast from the dual perspective of Rebecca Birch, one of the developers of a bespoke version of Flash Media Live Encoder and Bram Thomas Arnold, an artist who uses a case study from Sideways Festival, Belgium, 2012. Field Broadcast enables an artist to be in a field, suitably equipped, and stream live footage to an audience. It is an experiment in place, site and the notion of a field. It is a new method of making work in the space between site-specific performance and the digital realm: a way of working that enables artists to generate new artworks within the non-place of the Internet. Birch introduces the technology from a number of perspectives before it is fleshed out with evidence and experience from a live project that took place in Belgium in 2012. Sideways was a festival that traversed Belgium over four weeks and 400 km, with artists walking and generating work en route. The possibilities offered by Field Broadcast are explored in relation to the expanded field of ecology amidst Bourriaud's The Radicant (2009), Guatarri's The Three Ecologies (2005) and Morton's Ecology Without Nature

AB - This article sets out the notion of a Field Broadcast from the dual perspective of Rebecca Birch, one of the developers of a bespoke version of Flash Media Live Encoder and Bram Thomas Arnold, an artist who uses a case study from Sideways Festival, Belgium, 2012. Field Broadcast enables an artist to be in a field, suitably equipped, and stream live footage to an audience. It is an experiment in place, site and the notion of a field. It is a new method of making work in the space between site-specific performance and the digital realm: a way of working that enables artists to generate new artworks within the non-place of the Internet. Birch introduces the technology from a number of perspectives before it is fleshed out with evidence and experience from a live project that took place in Belgium in 2012. Sideways was a festival that traversed Belgium over four weeks and 400 km, with artists walking and generating work en route. The possibilities offered by Field Broadcast are explored in relation to the expanded field of ecology amidst Bourriaud's The Radicant (2009), Guatarri's The Three Ecologies (2005) and Morton's Ecology Without Nature

U2 - 10.1080/14626268.2015.993656

DO - 10.1080/14626268.2015.993656

M3 - Journal article

VL - 26

SP - 40

EP - 47

JO - Digital Creativity

JF - Digital Creativity

SN - 1462-6268

IS - 1

ER -