Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - An approach to characterisation: the case of Katherina in Shakespeare’s ‘The Taming of the Shrew’.
AU - Culpeper, Jonathan
PY - 2000/11
Y1 - 2000/11
N2 - In this article, I argue that literary characterization can be fruitfully approached by drawing upon theories developed within social cognition to explain the perception of real-life people. I demonstrate how this approach can explain the construction of Katherina, the protagonist in Shakespeare's The Taming of the Shrew. Specifically, I introduce notions from cognitive theories of knowledge (especially schema theory), and impression formation. Using these, I describe (1) the role of prior knowledge in forming an impression of a character, and (2) how various types of impression are formed. Prior to my analysis of Katherina, I outline the kind of shrew schema the Elizabethans might have had knowledge of. Then, in my analysis I argue that the textual evidence in the first part of the play is largely consistent with this schema, and thus Katherina at this stage is largely a schema-based character. However, I show that as the play progresses a number of changes create the conditions for a more complex and personalized character. As a consequence of this analysis, I claim that Katherina is not, as some critics have argued, simply a shrew, or an inconsistent character, or a typical character of a farce.
AB - In this article, I argue that literary characterization can be fruitfully approached by drawing upon theories developed within social cognition to explain the perception of real-life people. I demonstrate how this approach can explain the construction of Katherina, the protagonist in Shakespeare's The Taming of the Shrew. Specifically, I introduce notions from cognitive theories of knowledge (especially schema theory), and impression formation. Using these, I describe (1) the role of prior knowledge in forming an impression of a character, and (2) how various types of impression are formed. Prior to my analysis of Katherina, I outline the kind of shrew schema the Elizabethans might have had knowledge of. Then, in my analysis I argue that the textual evidence in the first part of the play is largely consistent with this schema, and thus Katherina at this stage is largely a schema-based character. However, I show that as the play progresses a number of changes create the conditions for a more complex and personalized character. As a consequence of this analysis, I claim that Katherina is not, as some critics have argued, simply a shrew, or an inconsistent character, or a typical character of a farce.
KW - characterization
KW - gender
KW - impression formation
KW - schema theory
KW - Shakespeare
KW - social cognition
KW - stereotypes
KW - The Taming of the Shrew
M3 - Journal article
VL - 9
SP - 291
EP - 316
JO - Language and Literature
JF - Language and Literature
SN - 0963-9470
IS - 4
ER -