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  1. Published

    Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)

    Mawer, D., 6/11/2018, André Jolivet: music, art and literature. Rae, C. (ed.). Lund Humphries

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  2. Published

    Retour au point de départ? Les dernières oeuvres de musique de chambre de Darius Milhaud et la notion de 'tardivité'.

    Mawer, D., 10/2014, Darius Milhaud: Compositeur et expérimentateur. Harbec, J. & Lavoie, M-N. (eds.). Paris: Librairie Vrin, 25 p. (Musicologies).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  3. Published

    The Lyre of Orpheus: popular music, the sacred, and the profane

    Partridge, C., 18/11/2013, Oxford: Oxford University Press. 368 p.

    Research output: Book/Report/ProceedingsBook

  4. Published

    Tutuguri

    Otondo, F., 15/03/2013

    Research output: Exhibits, objects and web-based outputsComposition

  5. Published

    Symphonic music in our modern times: Tippett and the Symphony

    Venn, E., 01/2013, The Cambridge Companion to Michael Tippett . Gloag, K. & Jones, N. (eds.). Cambridge: Cambridge University Press, (Cambridge Companions to Music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  6. Published

    Identity dimensions and age as predictors of adult music preferences

    Leadbeater, R. & Marsden, A., 2013, Developing the musician: contemporary perspectives on teaching and learning. Stakelum, M. (ed.). Farnham: Ashgate, p. 7-28 22 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  7. Published

    Book Review: Philippe Cathé, Sylvie Douche et Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste

    Mawer, D., 12/2012, In: Music and Letters. 93, 4, p. 615-617 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  8. Published

    Music-dance (and design) relations in ballet productions of Ravel's Daphnis et Chloé.

    Mawer, D., 1/09/2012, Danse et musique: dialogues en mouvement [refereed conference proceedings]. Huebner, S. (ed.). 1-2 ed. Montreal: Cahiers de la Société québécoise de recherche en musique, Vol. 13. p. 77-85 9 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  9. Published

    Melodic Similarity: A Re-examination of the MIREX2005 Data

    Marsden, A., 23/07/2012, p. 653-659. 7 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  10. Published

    Teocalli

    Otondo, F., 1/07/2012

    Research output: Exhibits, objects and web-based outputsComposition

  11. Published

    Le jazz gallicisé et ravelisé: théorie pratique du 'blues'.

    Mawer, D., 02/2012, Musique française: Esthétique et identité en mutation 1892-1992 : French Music: Aesthetics and Identity in Transition 1892-1992. Terrien, P. (ed.). Sampzon: Editions Delatour France, p. 215-225 11 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  12. Published

    Discrete Transfer for piano and computer, 11'

    Rai, T., 2012

    Research output: Exhibits, objects and web-based outputsComposition

  13. Published

    Interrogating melodic similarity: a definitive phenomenon or the product of interpretation?

    Marsden, A., 2012, In: Journal of New Music Research. 41, 4, p. 323-335 13 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  14. Published

    Position paper: Counselling a better relationship between mathematics and musicology; Response to Guerino Mazzola; Response to Geraint Wiggins; Final response: Ontology, epistemology, and some research proposals

    Marsden, A., 2012, In: Journal of Mathematics and Music. 6, 2, p. 145-153, 103-106, 125-128, 161-167

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  15. Published

    The Sonification of Morecambe Bay

    Boynton, N., 2012

    Research output: Exhibits, objects and web-based outputsDigital or Visual Products

  16. Published

    Review of "Composing in Words: William Alwyn on his Art" ed. by Andrew Palmer

    Venn, E., 08/2011, In: Music and Letters. 92, 3, p. 506-508 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  17. Published

    Software for Schenkerian Analysis

    Marsden, A., 07/2011. 0 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

  18. Published

    The Plurality of Melodic Similarity

    Marsden, A., 07/2011, p. 5-10. 6 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

  19. Published

    Book review: Barbara Lebrun, Protest Music in France

    Mawer, D., 03/2011, In: French History. 25, 1, p. 130-132 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  20. Published

    Book review: Sylvia Kahan, In Search of New Scales

    Mawer, D., 01/2011, In: Journal of Music Theory. 55, 1, p. 147-153 7 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  21. Published

    Fragments of the score 'Sparkle for bass cl. and tape' quoted in the book ‘the bass clarinet’ by Harry Sparnaay

    Rai, T., 2011, 2 p. Periferia Sheet Music, Spain.

    Research output: Other contribution

  22. Published

    French music reconfigured in the modal jazz of Bill Evans.

    Mawer, D., 2011, Jazz Chameleon: 9th Nordic Jazz Conference Proceedings . Mäkelä, J. (ed.). Helsinki: Finnish Jazz and Pop Archive, p. 77-89 13 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  23. Published

    Maurice Ravel.

    Mawer, D., 2011, Oxford Bibliographies Online: Music. Gustafson, B. (ed.). New York: Oxford University Press, p. 130 annotated citations

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  24. Published

    Review of "Harrison Birtwistle: The Mask of Orpheus" by Jonathan Cross

    Venn, E., 2011, In: Music and Letters. 92, 2, p. 332-334 3 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  25. Published

    Appendix: itinerary for Ravel’s tour

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 110-113 4 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  26. Published

    Crossing Borders I: the historical context for Ravel’s North American tour

    Gebhardt, N., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: University of Cambridge, p. 92-113 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  27. Published

    Crossing borders II: Ravel’s theory and practice of jazz.

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 114-137 24 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  28. Published

    Encountering La Valse: perspectives and pitfalls.

    Epstein, D. & Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 138-164 27 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  29. Published

    Introduction: the growth of Ravel studies

    Mawer, D., 11/2010, Ravel Studies. Mawer, D. (ed.). Cambridge: Cambridge University Press, p. 1-8 8 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  30. Published

    Ravel Studies

    Mawer, D. (ed.), 11/2010, Cambridge: Cambridge University Press. 220 p.

    Research output: Book/Report/ProceedingsBook

  31. Published

    Dub in Babylon: understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tubby to post-punk

    Partridge, C., 10/2010, London: Equinox Publishing. 256 p.

    Research output: Book/Report/ProceedingsBook

  32. Unpublished

    (Re)moving boundaries? Debussy, Ravel and the Lydian jazz theory of George Russell

    Mawer, D., 08/2010, (Unpublished). 10 p.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  33. Published

    Book review: Millicent Hodson, Nijinsky’s Bloomsbury Ballet: Reconstruction of the Dance and Design for Jeux

    Mawer, D., 02/2010, In: Music and Letters. 91, 1, p. 123-126 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

  34. Published
  35. Published

    Narrativity in Thomas Adès’s Asyla.

    Venn, E., 2010, In: Res facta nova: Teksty o muzyce współczesnej. 11, 20, p. 61-70 10 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  36. Published

    On Jazz, memory and history: A response to Alyn Shipton

    Gebhardt, N., 2010, In: Jazz Research Journal. 4, 1, p. 7-14 8 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  37. Published

    A Very British Modernism? A review of Hugh Wood, Staking out the Territory and Other Writings on Music

    Venn, E., 09/2009, In: Twentieth-Century Music. 6, 2, p. 237-253 17 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  38. Published

    Jazzing a classic: Hylton and Stravinsky’s Mavra at the Paris Opéra.

    Mawer, D., 09/2009, In: Twentieth-Century Music. 6, 2, p. 155-182 28 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  39. Published
  40. Published

    Active Figuration for violin and computer, 13'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  41. Published

    Horizontal stillness for electroacoustic, 11'

    Rai, T., 2009

    Research output: Exhibits, objects and web-based outputsComposition

  42. Published

    Some remarks on Webern's Variations Op. 27

    Boynton, N., 2009, Webern_21. Schweiger, D. & Urbanek, N. (eds.). Vienna: Böhlau Verlag, p. 199-219 21 p. (Wiener Veröffentlichungen zur Musikgeschichte; vol. 8).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  43. Published

    'What was the question?': music analysis and the computer.

    Marsden, A., 2009, Modern Methods for Musicology. Crawford, T. & Gibson, L. (eds.). Farnham: Ashgate, p. 137-147 11 p. (Digital Research in the Arts and Humanities).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

  44. Published

    Positioning Milhaud’s late chamber music: compositional 'full circle'?

    Mawer, D., 12/2008, In: Musical Times. 149, 4, p. 45-60 16 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  45. Published

    ‘Parisomania'? Jack Hylton and the French connection.

    Mawer, D., 11/2008, In: Journal of the Royal Musical Association. 133, 2, p. 270-317 48 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  46. Published

    Jolivet’s search for a new French voice: spiritual 'otherness' in Mana (1935).

    Mawer, D., 05/2008, French Music, Culture and National Identity, 1870-1939 . Kelly, B. L. (ed.). Rochester NY: University of Rochester Press, p. 172-193 22 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)

  47. Published

    Exploring complementation in Bartók’s Third Quartet.

    Mawer, D., 12/2007, In: Music Theory Online. 13, 4

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  48. Published

    Tools for Searching, Annotation and Analysis of Speech, Music, Film and Video: A Survey.

    Marsden, A. A., Lindsay, A., MacKenzie, A. & Nock, H., 30/11/2007, In: Literary and Linguistic Computing. 22, 4, p. 469-488 20 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  49. Published

    Automatic Derivation of Musical Structure: A Tool for Research on Schenkerian Analysis.

    Marsden, A. A., 23/09/2007, p. 55-58. 4 p.

    Research output: Contribution to conference - Without ISBN/ISSN Other

  50. Published

    Book review: Jane F. Fulcher, The Composer as Intellectual: Music and Ideology in France 1914-1940

    Mawer, D., 05/2007, In: Music and Letters. 88, 2, p. 367-370 4 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article reviewpeer-review

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