Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Cannibals, carnival and clowns
T2 - the grotesque in German unification films
AU - Hodgin, Nick
PY - 2014/10/1
Y1 - 2014/10/1
N2 - Film scholars interested in the responses to the collapse of the German Democratic Republic and subsequent unification have tended to focus on the comic and/or tragic narratives which reflect the challenges facing the population of the New Federal States, whether as citizens struggling to adjust to the new post-unification order or as citizens of an economically deprived region and all the attendant social and psychological problems. But a number of important films produced during the Wende have largely been neglected. Formally experimental, occasionally cryptic, and sometimes disturbing, these films demand reviewing not only because of their unconventional aesthetic, which distinguishes them from the other better-known films of the time and since, but because with hindsight, as this article makes clear, we recognise that they offer a critical index of the doubts and frustrations resulting from the East German state's collapse and its subsequent union with the Federal Republic. This article focuses on three films in particular (Letztes aus der DaDaeR/Latest from the DaDaeR, Das Deutsche Kettensägenmassaker/The German Chainsaw Massacre and Deutschfieber/German Fever) and considers filmmakers’ recourse to aesthetic forms, namely the carnivalesque and the grotesque.
AB - Film scholars interested in the responses to the collapse of the German Democratic Republic and subsequent unification have tended to focus on the comic and/or tragic narratives which reflect the challenges facing the population of the New Federal States, whether as citizens struggling to adjust to the new post-unification order or as citizens of an economically deprived region and all the attendant social and psychological problems. But a number of important films produced during the Wende have largely been neglected. Formally experimental, occasionally cryptic, and sometimes disturbing, these films demand reviewing not only because of their unconventional aesthetic, which distinguishes them from the other better-known films of the time and since, but because with hindsight, as this article makes clear, we recognise that they offer a critical index of the doubts and frustrations resulting from the East German state's collapse and its subsequent union with the Federal Republic. This article focuses on three films in particular (Letztes aus der DaDaeR/Latest from the DaDaeR, Das Deutsche Kettensägenmassaker/The German Chainsaw Massacre and Deutschfieber/German Fever) and considers filmmakers’ recourse to aesthetic forms, namely the carnivalesque and the grotesque.
KW - Grotesque
KW - German Unification
KW - Bakhtin
KW - GDR
KW - DEFA
KW - Horror
KW - Carnivalesque
KW - Film
KW - Schlingensief
U2 - 10.1080/17411548.2014.925333
DO - 10.1080/17411548.2014.925333
M3 - Journal article
VL - 5
SP - 124
EP - 139
JO - Studies in Eastern European Cinema
JF - Studies in Eastern European Cinema
SN - 2040-3518
IS - 2
ER -