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Cavell and the politics of cinema: on Marie Antoinette

Research output: Contribution to journalJournal article

Published
<mark>Journal publication date</mark>2014
<mark>Journal</mark>Film-Philosophy
Volume18
Number of pages18
Pages (from-to)110-127
Publication StatusPublished
<mark>Original language</mark>English

Abstract

This paper examines Stanley Cavell's theories from the perspective of a 'politics of cinema' and engages in a critical reading of Sofia Coppola's 2006 film, Marie Antoinette.

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This work is licensed under a Creative Commons Attribution 3.0 License.