Home > Research > Publications & Outputs > Celebrity chav : fame, femininity and social cl...

Electronic data

Links

Text available via DOI:

View graph of relations

Celebrity chav : fame, femininity and social class.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

Celebrity chav : fame, femininity and social class. / Tyler, Imogen; Bennett, Bruce.
In: European Journal of Cultural Studies, Vol. 13, No. 3, 08.2010, p. 375-393.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Tyler, I & Bennett, B 2010, 'Celebrity chav : fame, femininity and social class.', European Journal of Cultural Studies, vol. 13, no. 3, pp. 375-393. https://doi.org/10.1177/1367549410363203

APA

Vancouver

Tyler I, Bennett B. Celebrity chav : fame, femininity and social class. European Journal of Cultural Studies. 2010 Aug;13(3):375-393. doi: 10.1177/1367549410363203

Author

Tyler, Imogen ; Bennett, Bruce. / Celebrity chav : fame, femininity and social class. In: European Journal of Cultural Studies. 2010 ; Vol. 13, No. 3. pp. 375-393.

Bibtex

@article{c22901b406804f089604a5d980b06b20,
title = "Celebrity chav : fame, femininity and social class.",
abstract = "There is nothing new about celebrity culture. It is an intrinsic feature of a world structured by mechanical reproduction. However, what has been visible over the last few years in Britain is a modulation of representations of celebrity figures in entertainment and news media through reality TV series, newspapers and gossip magazines. In this article, we argue that celebrity is an increasingly significant means by which reactionary class attitudes, allegiances and judgements are communicated. In contradistinction to claims that the concept of social class has lost its analytic value in the context of contemporary consumer society with the growing ideological purchase of meritocracy and choice, we contend that class remains central to the constitution and meaning of celebrity. A central premise of this article is that celebrity culture is not only thoroughly embedded in everyday social practices but is more radically constitutive of contemporary social life. We examine this claim through a consideration of the ways in which celebrity produces and sustains class relations. We argue that a new category of notoriety or public visibility has emerged and is embodied in the figure of the working-class female celebrity, who operates as what Skeggs terms the {\textquoteleft}constitutive limit to propriety{\textquoteright} within celebrity culture and wider social life (2005: 968).",
keywords = "Celebrity, Chav, reality TV, social class, femininity, fame, Kerry Katona",
author = "Imogen Tyler and Bruce Bennett",
note = "The final, definitive version of this article has been published in the Journal, European Journal of Cultural Studies, 13 (3), 2010, {\textcopyright} SAGE Publications Ltd, 2010 by SAGE Publications Ltd at the European Journal of Cultural Studies page: http://ecs.sagepub.com/ on SAGE Journals Online: http://online.sagepub.com/",
year = "2010",
month = aug,
doi = "10.1177/1367549410363203",
language = "English",
volume = "13",
pages = "375--393",
journal = "European Journal of Cultural Studies",
issn = "1460-3551",
publisher = "SAGE Publications Ltd",
number = "3",

}

RIS

TY - JOUR

T1 - Celebrity chav : fame, femininity and social class.

AU - Tyler, Imogen

AU - Bennett, Bruce

N1 - The final, definitive version of this article has been published in the Journal, European Journal of Cultural Studies, 13 (3), 2010, © SAGE Publications Ltd, 2010 by SAGE Publications Ltd at the European Journal of Cultural Studies page: http://ecs.sagepub.com/ on SAGE Journals Online: http://online.sagepub.com/

PY - 2010/8

Y1 - 2010/8

N2 - There is nothing new about celebrity culture. It is an intrinsic feature of a world structured by mechanical reproduction. However, what has been visible over the last few years in Britain is a modulation of representations of celebrity figures in entertainment and news media through reality TV series, newspapers and gossip magazines. In this article, we argue that celebrity is an increasingly significant means by which reactionary class attitudes, allegiances and judgements are communicated. In contradistinction to claims that the concept of social class has lost its analytic value in the context of contemporary consumer society with the growing ideological purchase of meritocracy and choice, we contend that class remains central to the constitution and meaning of celebrity. A central premise of this article is that celebrity culture is not only thoroughly embedded in everyday social practices but is more radically constitutive of contemporary social life. We examine this claim through a consideration of the ways in which celebrity produces and sustains class relations. We argue that a new category of notoriety or public visibility has emerged and is embodied in the figure of the working-class female celebrity, who operates as what Skeggs terms the ‘constitutive limit to propriety’ within celebrity culture and wider social life (2005: 968).

AB - There is nothing new about celebrity culture. It is an intrinsic feature of a world structured by mechanical reproduction. However, what has been visible over the last few years in Britain is a modulation of representations of celebrity figures in entertainment and news media through reality TV series, newspapers and gossip magazines. In this article, we argue that celebrity is an increasingly significant means by which reactionary class attitudes, allegiances and judgements are communicated. In contradistinction to claims that the concept of social class has lost its analytic value in the context of contemporary consumer society with the growing ideological purchase of meritocracy and choice, we contend that class remains central to the constitution and meaning of celebrity. A central premise of this article is that celebrity culture is not only thoroughly embedded in everyday social practices but is more radically constitutive of contemporary social life. We examine this claim through a consideration of the ways in which celebrity produces and sustains class relations. We argue that a new category of notoriety or public visibility has emerged and is embodied in the figure of the working-class female celebrity, who operates as what Skeggs terms the ‘constitutive limit to propriety’ within celebrity culture and wider social life (2005: 968).

KW - Celebrity

KW - Chav

KW - reality TV

KW - social class

KW - femininity

KW - fame

KW - Kerry Katona

U2 - 10.1177/1367549410363203

DO - 10.1177/1367549410363203

M3 - Journal article

VL - 13

SP - 375

EP - 393

JO - European Journal of Cultural Studies

JF - European Journal of Cultural Studies

SN - 1460-3551

IS - 3

ER -