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China's Shanzhai Culture: ‘Grabism’ and the politics of hybridity

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China's Shanzhai Culture : ‘Grabism’ and the politics of hybridity. / Chubb, Andrew.

In: Journal of Contemporary China, Vol. 24, No. 92, 2015, p. 260-279.

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Chubb, Andrew. / China's Shanzhai Culture : ‘Grabism’ and the politics of hybridity. In: Journal of Contemporary China. 2015 ; Vol. 24, No. 92. pp. 260-279.

Bibtex

@article{efa4c44e66894f3591b36643ff23577b,
title = "China's Shanzhai Culture: {\textquoteleft}Grabism{\textquoteright} and the politics of hybridity",
abstract = "This article focuses on the broad spread of shanzhai culture in 2008, exploring the central question: what is it that brings such disparate phenomena together under one label? Shanzhai things have typically emerged from new spaces for participation in production beyond the control of formerly monopolistic authorities. But things are not necessarily shanzhai by birth, for it is also an identity affixed to things by consumers. The shanzhai identity's inherent ambiguity—almost the same but not quite—brings with it a dimension of disruption of authority (cf. Bhabha), but its political standpoints are elusive. Using insights from hybridity theory, this article characterizes shanzhai as a contemporary successor to what Lu Xun termed Grabism: the active reappropriation of economic and cultural authority for diverse local purposes, which have themselves been shaped and redefined by those same authorities.",
author = "Andrew Chubb",
year = "2015",
doi = "10.1080/10670564.2014.932159",
language = "English",
volume = "24",
pages = "260--279",
journal = "Journal of Contemporary China",
issn = "1067-0564",
publisher = "ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD",
number = "92",

}

RIS

TY - JOUR

T1 - China's Shanzhai Culture

T2 - ‘Grabism’ and the politics of hybridity

AU - Chubb, Andrew

PY - 2015

Y1 - 2015

N2 - This article focuses on the broad spread of shanzhai culture in 2008, exploring the central question: what is it that brings such disparate phenomena together under one label? Shanzhai things have typically emerged from new spaces for participation in production beyond the control of formerly monopolistic authorities. But things are not necessarily shanzhai by birth, for it is also an identity affixed to things by consumers. The shanzhai identity's inherent ambiguity—almost the same but not quite—brings with it a dimension of disruption of authority (cf. Bhabha), but its political standpoints are elusive. Using insights from hybridity theory, this article characterizes shanzhai as a contemporary successor to what Lu Xun termed Grabism: the active reappropriation of economic and cultural authority for diverse local purposes, which have themselves been shaped and redefined by those same authorities.

AB - This article focuses on the broad spread of shanzhai culture in 2008, exploring the central question: what is it that brings such disparate phenomena together under one label? Shanzhai things have typically emerged from new spaces for participation in production beyond the control of formerly monopolistic authorities. But things are not necessarily shanzhai by birth, for it is also an identity affixed to things by consumers. The shanzhai identity's inherent ambiguity—almost the same but not quite—brings with it a dimension of disruption of authority (cf. Bhabha), but its political standpoints are elusive. Using insights from hybridity theory, this article characterizes shanzhai as a contemporary successor to what Lu Xun termed Grabism: the active reappropriation of economic and cultural authority for diverse local purposes, which have themselves been shaped and redefined by those same authorities.

U2 - 10.1080/10670564.2014.932159

DO - 10.1080/10670564.2014.932159

M3 - Journal article

VL - 24

SP - 260

EP - 279

JO - Journal of Contemporary China

JF - Journal of Contemporary China

SN - 1067-0564

IS - 92

ER -