Rights statement: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Cerebral Cortex following peer review. The definitive publisher-authenticated version Katrin Sakreida, Satomi Higuchi, Cinzia Di Dio, Michael Ziessler, Martine Turgeon, Neil Roberts, Stefan Vogt; Cognitive Control Structures in the Imitation Learning of Spatial Sequences and Rhythms—An fMRI Study, Cerebral Cortex, Volume 28, Issue 3, 1 March 2018, Pages 907–923, https://doi.org/10.1093/cercor/bhw414 is available online at: https://academic.oup.com/cercor/article/28/3/907/2888458
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Final published version
Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
}
TY - JOUR
T1 - Cognitive Control Structures in the Imitation Learning of Spatial Sequences and Rhythms—An fMRI Study
AU - Sakreida, Katrin
AU - Higuchi, Satomi
AU - Di Dio, Cinzia
AU - Ziessler, Michael
AU - Turgeon, Martine
AU - Roberts, Neil
AU - Vogt, Stefan Reinhold
N1 - This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Cerebral Cortex following peer review. The definitive publisher-authenticated version Katrin Sakreida, Satomi Higuchi, Cinzia Di Dio, Michael Ziessler, Martine Turgeon, Neil Roberts, Stefan Vogt; Cognitive Control Structures in the Imitation Learning of Spatial Sequences and Rhythms—An fMRI Study, Cerebral Cortex, Volume 28, Issue 3, 1 March 2018, Pages 907–923, https://doi.org/10.1093/cercor/bhw414 is available online at: https://academic.oup.com/cercor/article/28/3/907/2888458
PY - 2018/3/1
Y1 - 2018/3/1
N2 - Imitation learning involves the acquisition of novel motor patterns based on action observation (AO). We used event-related functional magnetic resonance imaging to study the imitation learning of spatial sequences and rhythms during AO, motor imagery (MI), and imitative execution in nonmusicians and musicians. While both tasks engaged the fronto-parietal mirror circuit, the spatial sequence task recruited posterior parietal and dorsal premotor regions more strongly. The rhythm task involved an additional network for auditory working memory. This partial dissociation supports the concept of task-specific mirror mechanisms. Two regions of cognitive control were identified: 1) dorsolateral prefrontal cortex (DLPFC) was found to be more strongly activated during MI of novel spatial sequences, which allowed us to extend the 2-level model of imitation learning by Buccino et al. (2004) to spatial sequences. 2) During imitative execution of both tasks, the posterior medial frontal cortex was robustly activated, along with the DLPFC, which suggests that both regions are involved in the cognitive control of imitation learning. The musicians’ selective behavioral advantage for rhythm imitation was reflected cortically in enhanced sensory-motor processing during AO and by the absence of practice-related activation differences in DLPFC during rhythm execution.
AB - Imitation learning involves the acquisition of novel motor patterns based on action observation (AO). We used event-related functional magnetic resonance imaging to study the imitation learning of spatial sequences and rhythms during AO, motor imagery (MI), and imitative execution in nonmusicians and musicians. While both tasks engaged the fronto-parietal mirror circuit, the spatial sequence task recruited posterior parietal and dorsal premotor regions more strongly. The rhythm task involved an additional network for auditory working memory. This partial dissociation supports the concept of task-specific mirror mechanisms. Two regions of cognitive control were identified: 1) dorsolateral prefrontal cortex (DLPFC) was found to be more strongly activated during MI of novel spatial sequences, which allowed us to extend the 2-level model of imitation learning by Buccino et al. (2004) to spatial sequences. 2) During imitative execution of both tasks, the posterior medial frontal cortex was robustly activated, along with the DLPFC, which suggests that both regions are involved in the cognitive control of imitation learning. The musicians’ selective behavioral advantage for rhythm imitation was reflected cortically in enhanced sensory-motor processing during AO and by the absence of practice-related activation differences in DLPFC during rhythm execution.
KW - cognitive control
KW - fronto-parietal mirror circuit
KW - motor imagery
KW - musical expertise
KW - performance monitoring
U2 - 10.1093/cercor/bhw414
DO - 10.1093/cercor/bhw414
M3 - Journal article
VL - 28
SP - 907
EP - 923
JO - Cerebral Cortex
JF - Cerebral Cortex
SN - 1047-3211
IS - 3
ER -