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Consonance perception beyond the traditional existence region of pitch

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Consonance perception beyond the traditional existence region of pitch. / Carcagno, Samuele; Lakhani, Saday; Plack, Christopher.
In: Journal of the Acoustical Society of America, Vol. 146, 10.10.2019, p. 2279–2290.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Carcagno, S, Lakhani, S & Plack, C 2019, 'Consonance perception beyond the traditional existence region of pitch', Journal of the Acoustical Society of America, vol. 146, pp. 2279–2290. https://doi.org/10.1121/1.5127845

APA

Carcagno, S., Lakhani, S., & Plack, C. (2019). Consonance perception beyond the traditional existence region of pitch. Journal of the Acoustical Society of America, 146, 2279–2290. https://doi.org/10.1121/1.5127845

Vancouver

Carcagno S, Lakhani S, Plack C. Consonance perception beyond the traditional existence region of pitch. Journal of the Acoustical Society of America. 2019 Oct 10;146:2279–2290. doi: 10.1121/1.5127845

Author

Carcagno, Samuele ; Lakhani, Saday ; Plack, Christopher. / Consonance perception beyond the traditional existence region of pitch. In: Journal of the Acoustical Society of America. 2019 ; Vol. 146. pp. 2279–2290.

Bibtex

@article{819b1832987c4d9999757455997f0c97,
title = "Consonance perception beyond the traditional existence region of pitch",
abstract = "Some theories posit that the perception of consonance is based on neural periodicity detection, which is dependent on accurate phase locking of auditory nerve fibers to features of the stimulus waveform. In the current study, 15 listeners were asked to rate the pleasantness of complex tone dyads (2 note chords) forming various harmonic intervals and bandpass filtered in a high-frequency region (all components >5.8 kHz), where phase locking to the rapid stimulus fine structure is thought to be severely degraded or absent. The two notes were presented to opposite ears. Consonant intervals (minor third and perfect fifth) received higher ratings than dissonant intervals (minor second and tritone). The results could not be explained in terms of phase locking to the slower waveform envelope because the preference for consonant intervals was higher when the stimuli were harmonic, compared to a condition in which they were made inharmonic by shifting their component frequencies by a constant offset, so as to preserve their envelope periodicity. Overall the results indicate that, if phase locking is indeed absent at frequencies greater than ∼5 kHz, neural periodicity detection is not necessary for the perception of consonance.",
author = "Samuele Carcagno and Saday Lakhani and Christopher Plack",
year = "2019",
month = oct,
day = "10",
doi = "10.1121/1.5127845",
language = "English",
volume = "146",
pages = "2279–2290",
journal = "Journal of the Acoustical Society of America",
issn = "0001-4966",
publisher = "Acoustical Society of America",

}

RIS

TY - JOUR

T1 - Consonance perception beyond the traditional existence region of pitch

AU - Carcagno, Samuele

AU - Lakhani, Saday

AU - Plack, Christopher

PY - 2019/10/10

Y1 - 2019/10/10

N2 - Some theories posit that the perception of consonance is based on neural periodicity detection, which is dependent on accurate phase locking of auditory nerve fibers to features of the stimulus waveform. In the current study, 15 listeners were asked to rate the pleasantness of complex tone dyads (2 note chords) forming various harmonic intervals and bandpass filtered in a high-frequency region (all components >5.8 kHz), where phase locking to the rapid stimulus fine structure is thought to be severely degraded or absent. The two notes were presented to opposite ears. Consonant intervals (minor third and perfect fifth) received higher ratings than dissonant intervals (minor second and tritone). The results could not be explained in terms of phase locking to the slower waveform envelope because the preference for consonant intervals was higher when the stimuli were harmonic, compared to a condition in which they were made inharmonic by shifting their component frequencies by a constant offset, so as to preserve their envelope periodicity. Overall the results indicate that, if phase locking is indeed absent at frequencies greater than ∼5 kHz, neural periodicity detection is not necessary for the perception of consonance.

AB - Some theories posit that the perception of consonance is based on neural periodicity detection, which is dependent on accurate phase locking of auditory nerve fibers to features of the stimulus waveform. In the current study, 15 listeners were asked to rate the pleasantness of complex tone dyads (2 note chords) forming various harmonic intervals and bandpass filtered in a high-frequency region (all components >5.8 kHz), where phase locking to the rapid stimulus fine structure is thought to be severely degraded or absent. The two notes were presented to opposite ears. Consonant intervals (minor third and perfect fifth) received higher ratings than dissonant intervals (minor second and tritone). The results could not be explained in terms of phase locking to the slower waveform envelope because the preference for consonant intervals was higher when the stimuli were harmonic, compared to a condition in which they were made inharmonic by shifting their component frequencies by a constant offset, so as to preserve their envelope periodicity. Overall the results indicate that, if phase locking is indeed absent at frequencies greater than ∼5 kHz, neural periodicity detection is not necessary for the perception of consonance.

U2 - 10.1121/1.5127845

DO - 10.1121/1.5127845

M3 - Journal article

VL - 146

SP - 2279

EP - 2290

JO - Journal of the Acoustical Society of America

JF - Journal of the Acoustical Society of America

SN - 0001-4966

ER -