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Craft and Sustainability: Potential for Design Intervention in Crafts in the Yangtze River Delta, China

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Craft and Sustainability: Potential for Design Intervention in Crafts in the Yangtze River Delta, China. / Zhan, Xiaofang; Walker, Stuart; Hernandez, Ricardo J. et al.
In: The Design Journal, Vol. 20, No. Suppl. 1, 06.09.2017, p. S2919-S2934.

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Zhan X, Walker S, Hernandez RJ, Evans M. Craft and Sustainability: Potential for Design Intervention in Crafts in the Yangtze River Delta, China. The Design Journal. 2017 Sept 6;20(Suppl. 1):S2919-S2934. doi: 10.1080/14606925.2017.1352802

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@article{161537a9a56e4ea4a2f4a308341ce1f7,
title = "Craft and Sustainability: Potential for Design Intervention in Crafts in the Yangtze River Delta, China",
abstract = "Modern manufacturing for global markets tends to homogenize material culture through its centralized production and divisive production process. In contrast, craft practices usually have a strong local identity through their application of holistic making practices, context-based knowledge, culturally specific responses and community-centred production. This form of locally-based, customizable and responsive production is discussed here in terms of its relationship to sustainability and as a promising direction for future manufacturing. Despite the potentially strong relationship between craft and sustainability, there is still only limited research exploring this relationship and how craft can more effectively contribute to contemporary industry and life in general. This paper begins by developing an understanding of the relationship between craft and sustainability. From this, we identify: 1) barriers to craft{\textquoteright}s development for sustainability, and 2) potential directions to which design can contribute. We then provide an analysis of the current state of crafts in the Yangtze River Delta (YRD) and identify the challenges and potential for design interventions in this region.",
keywords = "Craft, Sustainability, Design Intervention, The Yangtze River Delta",
author = "Xiaofang Zhan and Stuart Walker and Hernandez, {Ricardo J.} and Martyn Evans",
year = "2017",
month = sep,
day = "6",
doi = "10.1080/14606925.2017.1352802",
language = "English",
volume = "20",
pages = "S2919--S2934",
journal = "The Design Journal",
issn = "1460-6925",
publisher = "ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD",
number = "Suppl. 1",
note = "EAD 2017 : Design for Next ; Conference date: 11-04-2017 Through 14-04-2017",

}

RIS

TY - JOUR

T1 - Craft and Sustainability

T2 - EAD 2017

AU - Zhan, Xiaofang

AU - Walker, Stuart

AU - Hernandez, Ricardo J.

AU - Evans, Martyn

PY - 2017/9/6

Y1 - 2017/9/6

N2 - Modern manufacturing for global markets tends to homogenize material culture through its centralized production and divisive production process. In contrast, craft practices usually have a strong local identity through their application of holistic making practices, context-based knowledge, culturally specific responses and community-centred production. This form of locally-based, customizable and responsive production is discussed here in terms of its relationship to sustainability and as a promising direction for future manufacturing. Despite the potentially strong relationship between craft and sustainability, there is still only limited research exploring this relationship and how craft can more effectively contribute to contemporary industry and life in general. This paper begins by developing an understanding of the relationship between craft and sustainability. From this, we identify: 1) barriers to craft’s development for sustainability, and 2) potential directions to which design can contribute. We then provide an analysis of the current state of crafts in the Yangtze River Delta (YRD) and identify the challenges and potential for design interventions in this region.

AB - Modern manufacturing for global markets tends to homogenize material culture through its centralized production and divisive production process. In contrast, craft practices usually have a strong local identity through their application of holistic making practices, context-based knowledge, culturally specific responses and community-centred production. This form of locally-based, customizable and responsive production is discussed here in terms of its relationship to sustainability and as a promising direction for future manufacturing. Despite the potentially strong relationship between craft and sustainability, there is still only limited research exploring this relationship and how craft can more effectively contribute to contemporary industry and life in general. This paper begins by developing an understanding of the relationship between craft and sustainability. From this, we identify: 1) barriers to craft’s development for sustainability, and 2) potential directions to which design can contribute. We then provide an analysis of the current state of crafts in the Yangtze River Delta (YRD) and identify the challenges and potential for design interventions in this region.

KW - Craft

KW - Sustainability

KW - Design Intervention

KW - The Yangtze River Delta

U2 - 10.1080/14606925.2017.1352802

DO - 10.1080/14606925.2017.1352802

M3 - Journal article

VL - 20

SP - S2919-S2934

JO - The Design Journal

JF - The Design Journal

SN - 1460-6925

IS - Suppl. 1

Y2 - 11 April 2017 through 14 April 2017

ER -