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Deixis and fictional minds

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Deixis and fictional minds. / Semino, Elena.
In: Style, Vol. 45, No. 3, 2011, p. 418-440.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Semino E. Deixis and fictional minds. Style. 2011;45(3):418-440.

Author

Semino, Elena. / Deixis and fictional minds. In: Style. 2011 ; Vol. 45, No. 3. pp. 418-440.

Bibtex

@article{5244fa1996ca43e8a5c02cf767d1eb06,
title = "Deixis and fictional minds",
abstract = "In this essay I show how marked patterns in the use of deictic expressions in literary texts can contribute to the projection of fictional minds that appear to work in “nonstandard” or “unorthodox” ways. More specifically, I suggest that the inherent “egocentricity” of deictic expressions can be exploited to represent strikingly “egocentric” fictional minds. I discuss in detail two examples from different genres: the poetic persona in Ted Hughes{\textquoteright}s poem “Wodwo”, and the first-person narrator in Mark Haddon{\textquoteright}s novel The Curious Incident of the Dog in the Night-Time. In each case, I point out the presence of patterns in the use of deictic expressions that can be described as idiosyncratic, and I argue that these patterns interact with other textual phenomena to contribute to the impression of a fictional mind that works in a striking and distinctive way. My claims about the idiosyncratic use of certain types of deictic expressions in the two texts are supported by automatic quantitative comparisons with relevant larger corpora.",
author = "Elena Semino",
year = "2011",
language = "English",
volume = "45",
pages = "418--440",
journal = "Style",
issn = "0039-4238",
publisher = "Northern Illinois University, Department of English",
number = "3",

}

RIS

TY - JOUR

T1 - Deixis and fictional minds

AU - Semino, Elena

PY - 2011

Y1 - 2011

N2 - In this essay I show how marked patterns in the use of deictic expressions in literary texts can contribute to the projection of fictional minds that appear to work in “nonstandard” or “unorthodox” ways. More specifically, I suggest that the inherent “egocentricity” of deictic expressions can be exploited to represent strikingly “egocentric” fictional minds. I discuss in detail two examples from different genres: the poetic persona in Ted Hughes’s poem “Wodwo”, and the first-person narrator in Mark Haddon’s novel The Curious Incident of the Dog in the Night-Time. In each case, I point out the presence of patterns in the use of deictic expressions that can be described as idiosyncratic, and I argue that these patterns interact with other textual phenomena to contribute to the impression of a fictional mind that works in a striking and distinctive way. My claims about the idiosyncratic use of certain types of deictic expressions in the two texts are supported by automatic quantitative comparisons with relevant larger corpora.

AB - In this essay I show how marked patterns in the use of deictic expressions in literary texts can contribute to the projection of fictional minds that appear to work in “nonstandard” or “unorthodox” ways. More specifically, I suggest that the inherent “egocentricity” of deictic expressions can be exploited to represent strikingly “egocentric” fictional minds. I discuss in detail two examples from different genres: the poetic persona in Ted Hughes’s poem “Wodwo”, and the first-person narrator in Mark Haddon’s novel The Curious Incident of the Dog in the Night-Time. In each case, I point out the presence of patterns in the use of deictic expressions that can be described as idiosyncratic, and I argue that these patterns interact with other textual phenomena to contribute to the impression of a fictional mind that works in a striking and distinctive way. My claims about the idiosyncratic use of certain types of deictic expressions in the two texts are supported by automatic quantitative comparisons with relevant larger corpora.

M3 - Journal article

VL - 45

SP - 418

EP - 440

JO - Style

JF - Style

SN - 0039-4238

IS - 3

ER -