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Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.

Research output: Contribution to conference - Without ISBN/ISSN › Conference paper › peer-review

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Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. / Marsden, Alan.
2004. Paper presented at Sound and Music Computing '04, Paris, France.

Research output: Contribution to conference - Without ISBN/ISSN › Conference paper › peer-review

Harvard

Marsden, A 2004, 'Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.', Paper presented at Sound and Music Computing '04, Paris, France, 20/10/04 - 22/10/04. <http://recherche.ircam.fr/equipes/repmus/SMC04/>

APA

Marsden, A. (2004). Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.. Paper presented at Sound and Music Computing '04, Paris, France. http://recherche.ircam.fr/equipes/repmus/SMC04/

Vancouver

Marsden A. Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.. 2004. Paper presented at Sound and Music Computing '04, Paris, France.

Author

Marsden, Alan. / Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. Paper presented at Sound and Music Computing '04, Paris, France.7 p.

Bibtex

@conference{e3b8cefe74de4cedb008ddbe0876db10,
title = "Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.",
abstract = "A system of representing melodies as a network of elaborations has been developed, and used as the basis for software which generates melodies in response to the movements of a dancer. This paper examines the issues of extending this representation system to polyphonic music, and of deriving a structural representation of this kind from a musical score. The theories of Heinrich Schenker and of Species Counterpoint are proposed as potentially fruitful bases.",
keywords = "Computational representation of music",
author = "Alan Marsden",
year = "2004",
month = oct,
day = "20",
language = "English",
note = "Sound and Music Computing '04 ; Conference date: 20-10-2004 Through 22-10-2004",

}

RIS

TY - CONF

T1 - Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint.

AU - Marsden, Alan

PY - 2004/10/20

Y1 - 2004/10/20

N2 - A system of representing melodies as a network of elaborations has been developed, and used as the basis for software which generates melodies in response to the movements of a dancer. This paper examines the issues of extending this representation system to polyphonic music, and of deriving a structural representation of this kind from a musical score. The theories of Heinrich Schenker and of Species Counterpoint are proposed as potentially fruitful bases.

AB - A system of representing melodies as a network of elaborations has been developed, and used as the basis for software which generates melodies in response to the movements of a dancer. This paper examines the issues of extending this representation system to polyphonic music, and of deriving a structural representation of this kind from a musical score. The theories of Heinrich Schenker and of Species Counterpoint are proposed as potentially fruitful bases.

KW - Computational representation of music

M3 - Conference paper

T2 - Sound and Music Computing '04

Y2 - 20 October 2004 through 22 October 2004

ER -