Rights statement: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, Film Theory, The Year's Work in Critical and Cultural Theory, 27 (1), https://doi.org/10.1093/ywcct/mbz009 is available online at: https://academic.oup.com/ywcct/article/27/1/160/5523002
Accepted author manuscript, 260 KB, PDF document
Available under license: CC BY-NC: Creative Commons Attribution-NonCommercial 4.0 International License
Final published version
Research output: Contribution to Journal/Magazine › Journal article › peer-review
<mark>Journal publication date</mark> | 25/06/2019 |
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<mark>Journal</mark> | Year's Work in Critical and Cultural Theory |
Issue number | 1 |
Volume | 27 |
Number of pages | 21 |
Pages (from-to) | 160–180 |
Publication Status | Published |
<mark>Original language</mark> | English |