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  • Bettinson_YWCCT_2019

    Rights statement: This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, Film Theory, The Year's Work in Critical and Cultural Theory, 27 (1), https://doi.org/10.1093/ywcct/mbz009 is available online at: https://academic.oup.com/ywcct/article/27/1/160/5523002

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Film Theory

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Film Theory. / Bettinson, Gary.
In: Year's Work in Critical and Cultural Theory, Vol. 27, No. 1, 25.06.2019, p. 160–180.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Bettinson, G 2019, 'Film Theory', Year's Work in Critical and Cultural Theory, vol. 27, no. 1, pp. 160–180. https://doi.org/10.1093/ywcct/mbz009

APA

Bettinson, G. (2019). Film Theory. Year's Work in Critical and Cultural Theory, 27(1), 160–180. https://doi.org/10.1093/ywcct/mbz009

Vancouver

Bettinson G. Film Theory. Year's Work in Critical and Cultural Theory. 2019 Jun 25;27(1):160–180. doi: 10.1093/ywcct/mbz009

Author

Bettinson, Gary. / Film Theory. In: Year's Work in Critical and Cultural Theory. 2019 ; Vol. 27, No. 1. pp. 160–180.

Bibtex

@article{f18a1b7c72eb4668bd4ad075b5dbf420,
title = "Film Theory",
abstract = "In this chapter I review six contributions to the field of film theory published in 2018: Carl Plantinga{\textquoteright}s Screen Stories: Emotion and the Ethics of Engagement (Oxford University Press); Mikl{\'o}s Kiss and Steven Willemsen{\textquoteright}s Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema (Edinburgh University Press); Nicholas Godfrey{\textquoteright}s The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood (Rutgers University Press); Peter Kr{\"a}mer and Yannis Tzioumakis{\textquoteright}s The Hollywood Renaissance: Revisiting American Cinema{\textquoteright}s Most Celebrated Era (Bloomsbury Academic); Dorothy Wai Sim Lau{\textquoteright}s Chinese Stardom in Participatory Cyberculture (Edinburgh University Press); and Gina Marchetti{\textquoteright}s Citing China: Politics, Postmodernism, and World Cinema (University of Hawaii Press). The chapter has three sections: 1. Cognition, Emotion, and Ethics; 2. The New Hollywood; 3. Contemporary Chinese Cinema.",
author = "Gary Bettinson",
note = "This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, Film Theory, The Year's Work in Critical and Cultural Theory, 27 (1), https://doi.org/10.1093/ywcct/mbz009 is available online at: https://academic.oup.com/ywcct/article/27/1/160/5523002",
year = "2019",
month = jun,
day = "25",
doi = "10.1093/ywcct/mbz009",
language = "English",
volume = "27",
pages = "160–180",
journal = "Year's Work in Critical and Cultural Theory",
issn = "1077-4254",
publisher = "Oxford University Press",
number = "1",

}

RIS

TY - JOUR

T1 - Film Theory

AU - Bettinson, Gary

N1 - This is a pre-copy-editing, author-produced PDF of an article accepted for publication in Year's Work in Critical and Cultural Theory following peer review. The definitive publisher-authenticated version Gary Bettinson, Film Theory, The Year's Work in Critical and Cultural Theory, 27 (1), https://doi.org/10.1093/ywcct/mbz009 is available online at: https://academic.oup.com/ywcct/article/27/1/160/5523002

PY - 2019/6/25

Y1 - 2019/6/25

N2 - In this chapter I review six contributions to the field of film theory published in 2018: Carl Plantinga’s Screen Stories: Emotion and the Ethics of Engagement (Oxford University Press); Miklós Kiss and Steven Willemsen’s Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema (Edinburgh University Press); Nicholas Godfrey’s The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood (Rutgers University Press); Peter Krämer and Yannis Tzioumakis’s The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era (Bloomsbury Academic); Dorothy Wai Sim Lau’s Chinese Stardom in Participatory Cyberculture (Edinburgh University Press); and Gina Marchetti’s Citing China: Politics, Postmodernism, and World Cinema (University of Hawaii Press). The chapter has three sections: 1. Cognition, Emotion, and Ethics; 2. The New Hollywood; 3. Contemporary Chinese Cinema.

AB - In this chapter I review six contributions to the field of film theory published in 2018: Carl Plantinga’s Screen Stories: Emotion and the Ethics of Engagement (Oxford University Press); Miklós Kiss and Steven Willemsen’s Impossible Puzzle Films: A Cognitive Approach to Contemporary Complex Cinema (Edinburgh University Press); Nicholas Godfrey’s The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood (Rutgers University Press); Peter Krämer and Yannis Tzioumakis’s The Hollywood Renaissance: Revisiting American Cinema’s Most Celebrated Era (Bloomsbury Academic); Dorothy Wai Sim Lau’s Chinese Stardom in Participatory Cyberculture (Edinburgh University Press); and Gina Marchetti’s Citing China: Politics, Postmodernism, and World Cinema (University of Hawaii Press). The chapter has three sections: 1. Cognition, Emotion, and Ethics; 2. The New Hollywood; 3. Contemporary Chinese Cinema.

U2 - 10.1093/ywcct/mbz009

DO - 10.1093/ywcct/mbz009

M3 - Journal article

VL - 27

SP - 160

EP - 180

JO - Year's Work in Critical and Cultural Theory

JF - Year's Work in Critical and Cultural Theory

SN - 1077-4254

IS - 1

ER -