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Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood.

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Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood. / Peelo, Moira.
In: Crime, Media, Culture: An International Journal, Vol. 2, No. 2, 08.2006, p. 159-175.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Peelo M. Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood. Crime, Media, Culture: An International Journal. 2006 Aug;2(2):159-175. doi: 10.1177/1741659006065404

Author

Peelo, Moira. / Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood. In: Crime, Media, Culture: An International Journal. 2006 ; Vol. 2, No. 2. pp. 159-175.

Bibtex

@article{fc307da06e6a4dc3ae4f3a07abac9677,
title = "Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood.",
abstract = "This article identifies ways in which newspapers invite readers to identify with victims and victimhood as a route to engaging them in {\textquoteleft}human interest{\textquoteright} stories. Within this framing of homicide for readers as {\textquoteleft}mediated witness{\textquoteright}, some of the authorial techniques are explored whereby newspapers engage readers in a stylized dialogue that contributes to the construction of public narratives about homicide. It is argued that researchers, as well as working at a macro level, need to research at the micro level of textual analysis when researching media (including visual media) in order to understand the framing that contributes to public narratives; hence there is analysis of techniques of (a) defamiliarization and (b) objectification of homicide victims. These are some of the means by which the reader is placed as witness, both apparently {\textquoteleft}experiencing{\textquoteright} crime for personal consumption yet, publicly, allowed to recover (unlike real victims of major crime). The recognition of a need for micro-level analysis raises questions about the functions of public narratives, particularly in expressing, exploring and containing public or social emotion, in an era in which public responses to crime have been placed at the top of a highly politicized crime agenda.",
keywords = "emotionality • homicide • mediated witness • narratives • social commentary • victimhood",
author = "Moira Peelo",
note = "RAE_import_type : Journal article RAE_uoa_type : Social Work and Social Policy & Administration",
year = "2006",
month = aug,
doi = "10.1177/1741659006065404",
language = "English",
volume = "2",
pages = "159--175",
journal = "Crime, Media, Culture: An International Journal",
issn = "1741-6604",
publisher = "SAGE Publications Ltd",
number = "2",

}

RIS

TY - JOUR

T1 - Framing homicide narratives in newspapers: mediated witnesses and the construction of virtual victimhood.

AU - Peelo, Moira

N1 - RAE_import_type : Journal article RAE_uoa_type : Social Work and Social Policy & Administration

PY - 2006/8

Y1 - 2006/8

N2 - This article identifies ways in which newspapers invite readers to identify with victims and victimhood as a route to engaging them in ‘human interest’ stories. Within this framing of homicide for readers as ‘mediated witness’, some of the authorial techniques are explored whereby newspapers engage readers in a stylized dialogue that contributes to the construction of public narratives about homicide. It is argued that researchers, as well as working at a macro level, need to research at the micro level of textual analysis when researching media (including visual media) in order to understand the framing that contributes to public narratives; hence there is analysis of techniques of (a) defamiliarization and (b) objectification of homicide victims. These are some of the means by which the reader is placed as witness, both apparently ‘experiencing’ crime for personal consumption yet, publicly, allowed to recover (unlike real victims of major crime). The recognition of a need for micro-level analysis raises questions about the functions of public narratives, particularly in expressing, exploring and containing public or social emotion, in an era in which public responses to crime have been placed at the top of a highly politicized crime agenda.

AB - This article identifies ways in which newspapers invite readers to identify with victims and victimhood as a route to engaging them in ‘human interest’ stories. Within this framing of homicide for readers as ‘mediated witness’, some of the authorial techniques are explored whereby newspapers engage readers in a stylized dialogue that contributes to the construction of public narratives about homicide. It is argued that researchers, as well as working at a macro level, need to research at the micro level of textual analysis when researching media (including visual media) in order to understand the framing that contributes to public narratives; hence there is analysis of techniques of (a) defamiliarization and (b) objectification of homicide victims. These are some of the means by which the reader is placed as witness, both apparently ‘experiencing’ crime for personal consumption yet, publicly, allowed to recover (unlike real victims of major crime). The recognition of a need for micro-level analysis raises questions about the functions of public narratives, particularly in expressing, exploring and containing public or social emotion, in an era in which public responses to crime have been placed at the top of a highly politicized crime agenda.

KW - emotionality • homicide • mediated witness • narratives • social commentary • victimhood

U2 - 10.1177/1741659006065404

DO - 10.1177/1741659006065404

M3 - Journal article

VL - 2

SP - 159

EP - 175

JO - Crime, Media, Culture: An International Journal

JF - Crime, Media, Culture: An International Journal

SN - 1741-6604

IS - 2

ER -