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'In das Drama zurückgeworfen'.: Zu politischen und stilistischen Fragen bei Marlene Streeruwitz

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

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'In das Drama zurückgeworfen'. Zu politischen und stilistischen Fragen bei Marlene Streeruwitz. / Fiddler, Allyson .
Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren. ed. / Sieglinde Klettenhammer; Wolfgang Wiesmüller. Vol. 93 Innsbruck: Innsbruck University Press, 2020. p. 85-99 (Germanistische Reihe; Vol. 93).

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

Harvard

Fiddler, A 2020, 'In das Drama zurückgeworfen'. Zu politischen und stilistischen Fragen bei Marlene Streeruwitz. in S Klettenhammer & W Wiesmüller (eds), Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren. vol. 93, Germanistische Reihe, vol. 93, Innsbruck University Press, Innsbruck, pp. 85-99. <https://diglib.uibk.ac.at/urn/urn:nbn:at:at-ubi:3-20126>

APA

Fiddler, A. (2020). 'In das Drama zurückgeworfen'. Zu politischen und stilistischen Fragen bei Marlene Streeruwitz. In S. Klettenhammer, & W. Wiesmüller (Eds.), Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren (Vol. 93, pp. 85-99). (Germanistische Reihe; Vol. 93). Innsbruck University Press. https://diglib.uibk.ac.at/urn/urn:nbn:at:at-ubi:3-20126

Vancouver

Fiddler A. 'In das Drama zurückgeworfen'. Zu politischen und stilistischen Fragen bei Marlene Streeruwitz. In Klettenhammer S, Wiesmüller W, editors, Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren. Vol. 93. Innsbruck: Innsbruck University Press. 2020. p. 85-99. (Germanistische Reihe).

Author

Fiddler, Allyson . / 'In das Drama zurückgeworfen'. Zu politischen und stilistischen Fragen bei Marlene Streeruwitz. Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren. editor / Sieglinde Klettenhammer ; Wolfgang Wiesmüller. Vol. 93 Innsbruck : Innsbruck University Press, 2020. pp. 85-99 (Germanistische Reihe).

Bibtex

@inbook{c2f0dace66e3440d90f60478bb31d6f2,
title = "'In das Drama zur{\"u}ckgeworfen'.: Zu politischen und stilistischen Fragen bei Marlene Streeruwitz",
abstract = "Marlene Streeruwitz{\textquoteright}s oft repeated disavowal of the theatre is under scrutiny here. Theater Heute{\textquoteright}s Nachwuchsdramatikerin of 1992, Streeruwitz is nevertheless better known and more highly f{\^e}ted as a prose writer. Streeruwitz has never completely abandoned the dramatic mode, however, and I examine two of her most recent plays, Die letzten Tage der Zweiten Republik (2017) and Mar-a-Lago. oder. Neuschwanstein. (2018) to revisit the reasons for Streeruwitz{\textquoteright}s disaffection for the theatre. What traces are to be found in these new works of Streeruwitz{\textquoteright}s 1990s{\textquoteright} Absurdist explorations of the human condition and of modern society and what motivates Streeruwitz{\textquoteright}s political explorations of the 2010s?",
keywords = "feminism, drama, theatre history, Austria, Political art, Streeruwitz, political campaign",
author = "Allyson Fiddler",
year = "2020",
month = aug,
day = "4",
language = "German",
isbn = "9783901064562",
volume = "93",
series = "Germanistische Reihe",
publisher = "Innsbruck University Press",
pages = "85--99",
editor = "Sieglinde Klettenhammer and Wolfgang Wiesm{\"u}ller",
booktitle = "Entwicklungen der Dramatik und Formen des Theaters in {\"O}sterreich seit den 1960er Jahren",

}

RIS

TY - CHAP

T1 - 'In das Drama zurückgeworfen'.

T2 - Zu politischen und stilistischen Fragen bei Marlene Streeruwitz

AU - Fiddler, Allyson

PY - 2020/8/4

Y1 - 2020/8/4

N2 - Marlene Streeruwitz’s oft repeated disavowal of the theatre is under scrutiny here. Theater Heute’s Nachwuchsdramatikerin of 1992, Streeruwitz is nevertheless better known and more highly fêted as a prose writer. Streeruwitz has never completely abandoned the dramatic mode, however, and I examine two of her most recent plays, Die letzten Tage der Zweiten Republik (2017) and Mar-a-Lago. oder. Neuschwanstein. (2018) to revisit the reasons for Streeruwitz’s disaffection for the theatre. What traces are to be found in these new works of Streeruwitz’s 1990s’ Absurdist explorations of the human condition and of modern society and what motivates Streeruwitz’s political explorations of the 2010s?

AB - Marlene Streeruwitz’s oft repeated disavowal of the theatre is under scrutiny here. Theater Heute’s Nachwuchsdramatikerin of 1992, Streeruwitz is nevertheless better known and more highly fêted as a prose writer. Streeruwitz has never completely abandoned the dramatic mode, however, and I examine two of her most recent plays, Die letzten Tage der Zweiten Republik (2017) and Mar-a-Lago. oder. Neuschwanstein. (2018) to revisit the reasons for Streeruwitz’s disaffection for the theatre. What traces are to be found in these new works of Streeruwitz’s 1990s’ Absurdist explorations of the human condition and of modern society and what motivates Streeruwitz’s political explorations of the 2010s?

KW - feminism

KW - drama

KW - theatre history

KW - Austria

KW - Political art

KW - Streeruwitz

KW - political campaign

M3 - Chapter (peer-reviewed)

SN - 9783901064562

VL - 93

T3 - Germanistische Reihe

SP - 85

EP - 99

BT - Entwicklungen der Dramatik und Formen des Theaters in Österreich seit den 1960er Jahren

A2 - Klettenhammer, Sieglinde

A2 - Wiesmüller, Wolfgang

PB - Innsbruck University Press

CY - Innsbruck

ER -