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In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance. / Etchells, Timothy.
In: Performance Research, Vol. 17, No. 1, 2012, p. 33-37.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Etchells, T 2012, 'In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance', Performance Research, vol. 17, no. 1, pp. 33-37. https://doi.org/10.1080/13528165.2012.651860

APA

Etchells, T. (2012). In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance. Performance Research, 17(1), 33-37. https://doi.org/10.1080/13528165.2012.651860

Vancouver

Etchells T. In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance. Performance Research. 2012;17(1):33-37. doi: 10.1080/13528165.2012.651860

Author

Etchells, Timothy. / In the silences : a text with very many digressions and forty-three footnotes concerning the process of making performance. In: Performance Research. 2012 ; Vol. 17, No. 1. pp. 33-37.

Bibtex

@article{b8b7162a682f4f2993f416d1b8ac13f8,
title = "In the silences: a text with very many digressions and forty-three footnotes concerning the process of making performance",
abstract = "Drawing on his experience as a director and writer with the world-renowned performance group Forced Entertainment Tim Etchells considers the processes at work in devising performance. Etchells account is self-conscioucsly a performance in and of itself - exposing the contingencies of it's own making, revealing it's own errors and strategies, footnoting its progress with digressions, mixing anecdote with more objective or analytic material. Dividing the work into distinct but overlapping stages Etchells specifically discusses the role of improvisation, the role of group-discussion and negotiation and the importance of sequencing, structuring and framing material. Etchells touches on his on-going photographic collaboration with Hugo Glendinning “Empty Stages” as well as on the creation of Forced Entertainment performances Bloody Mess, The World in Pictures, Dirty Work (amongst others).",
author = "Timothy Etchells",
year = "2012",
doi = "10.1080/13528165.2012.651860",
language = "English",
volume = "17",
pages = "33--37",
journal = "Performance Research",
issn = "1352-8165",
publisher = "Taylor and Francis Ltd.",
number = "1",

}

RIS

TY - JOUR

T1 - In the silences

T2 - a text with very many digressions and forty-three footnotes concerning the process of making performance

AU - Etchells, Timothy

PY - 2012

Y1 - 2012

N2 - Drawing on his experience as a director and writer with the world-renowned performance group Forced Entertainment Tim Etchells considers the processes at work in devising performance. Etchells account is self-conscioucsly a performance in and of itself - exposing the contingencies of it's own making, revealing it's own errors and strategies, footnoting its progress with digressions, mixing anecdote with more objective or analytic material. Dividing the work into distinct but overlapping stages Etchells specifically discusses the role of improvisation, the role of group-discussion and negotiation and the importance of sequencing, structuring and framing material. Etchells touches on his on-going photographic collaboration with Hugo Glendinning “Empty Stages” as well as on the creation of Forced Entertainment performances Bloody Mess, The World in Pictures, Dirty Work (amongst others).

AB - Drawing on his experience as a director and writer with the world-renowned performance group Forced Entertainment Tim Etchells considers the processes at work in devising performance. Etchells account is self-conscioucsly a performance in and of itself - exposing the contingencies of it's own making, revealing it's own errors and strategies, footnoting its progress with digressions, mixing anecdote with more objective or analytic material. Dividing the work into distinct but overlapping stages Etchells specifically discusses the role of improvisation, the role of group-discussion and negotiation and the importance of sequencing, structuring and framing material. Etchells touches on his on-going photographic collaboration with Hugo Glendinning “Empty Stages” as well as on the creation of Forced Entertainment performances Bloody Mess, The World in Pictures, Dirty Work (amongst others).

U2 - 10.1080/13528165.2012.651860

DO - 10.1080/13528165.2012.651860

M3 - Journal article

VL - 17

SP - 33

EP - 37

JO - Performance Research

JF - Performance Research

SN - 1352-8165

IS - 1

ER -