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Iterative architecture : a Ballardian text.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

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Iterative architecture : a Ballardian text. / Brian, Baker.
In: 21: Online Journal of Contemporary and Innovative Fiction, Vol. 1, No. 1, 2008, p. 8-30.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Brian, B 2008, 'Iterative architecture : a Ballardian text.', 21: Online Journal of Contemporary and Innovative Fiction, vol. 1, no. 1, pp. 8-30. <http://www.edgehill.ac.uk/english/documents/21/issue1/BrianBaker.pdf>

APA

Brian, B. (2008). Iterative architecture : a Ballardian text. 21: Online Journal of Contemporary and Innovative Fiction, 1(1), 8-30. http://www.edgehill.ac.uk/english/documents/21/issue1/BrianBaker.pdf

Vancouver

Brian B. Iterative architecture : a Ballardian text. 21: Online Journal of Contemporary and Innovative Fiction. 2008;1(1):8-30.

Author

Brian, Baker. / Iterative architecture : a Ballardian text. In: 21: Online Journal of Contemporary and Innovative Fiction. 2008 ; Vol. 1, No. 1. pp. 8-30.

Bibtex

@article{30be9e6b0ef9492b8188cd7fcc8b517c,
title = "Iterative architecture : a Ballardian text.",
abstract = "J.G. Ballard{\textquoteright}s texts tend to work particularly through the recognition of the component. This is most evident in The Atrocity Exhibition, where each chapter is itself a {\textquoteleft}condensed novel{\textquoteright} and each titled paragraph thereby a {\textquoteleft}chapter{\textquoteright}. Here, the architectural/ iterative imperatives of the Ballardian text are at their fullest extent. This article explores the formal propoerties of Ballard's short story 'the Beach Murders' (also known as 'Confetti Royale'), one of Ballard's few texts to explicitly refer to espionage narratives. The article splices 26 critical paragraphs with 26 fictional paragraphs that investigate the conjunction of Ballard and 1960s spy narratives, and particularly poists a connection between the recursive 'T' figure of The Atrocity Exhibition and Ian Fleming's James Bond.",
keywords = "J.G. Ballard, espionage, spy fiction, James Bond, short story, formal experimentation, critical/creative",
author = "Baker Brian",
year = "2008",
language = "English",
volume = "1",
pages = "8--30",
journal = "21: Online Journal of Contemporary and Innovative Fiction",
issn = "1759-281X",
publisher = "Edge Hill University",
number = "1",

}

RIS

TY - JOUR

T1 - Iterative architecture : a Ballardian text.

AU - Brian, Baker

PY - 2008

Y1 - 2008

N2 - J.G. Ballard’s texts tend to work particularly through the recognition of the component. This is most evident in The Atrocity Exhibition, where each chapter is itself a ‘condensed novel’ and each titled paragraph thereby a ‘chapter’. Here, the architectural/ iterative imperatives of the Ballardian text are at their fullest extent. This article explores the formal propoerties of Ballard's short story 'the Beach Murders' (also known as 'Confetti Royale'), one of Ballard's few texts to explicitly refer to espionage narratives. The article splices 26 critical paragraphs with 26 fictional paragraphs that investigate the conjunction of Ballard and 1960s spy narratives, and particularly poists a connection between the recursive 'T' figure of The Atrocity Exhibition and Ian Fleming's James Bond.

AB - J.G. Ballard’s texts tend to work particularly through the recognition of the component. This is most evident in The Atrocity Exhibition, where each chapter is itself a ‘condensed novel’ and each titled paragraph thereby a ‘chapter’. Here, the architectural/ iterative imperatives of the Ballardian text are at their fullest extent. This article explores the formal propoerties of Ballard's short story 'the Beach Murders' (also known as 'Confetti Royale'), one of Ballard's few texts to explicitly refer to espionage narratives. The article splices 26 critical paragraphs with 26 fictional paragraphs that investigate the conjunction of Ballard and 1960s spy narratives, and particularly poists a connection between the recursive 'T' figure of The Atrocity Exhibition and Ian Fleming's James Bond.

KW - J.G. Ballard

KW - espionage

KW - spy fiction

KW - James Bond

KW - short story

KW - formal experimentation

KW - critical/creative

M3 - Journal article

VL - 1

SP - 8

EP - 30

JO - 21: Online Journal of Contemporary and Innovative Fiction

JF - 21: Online Journal of Contemporary and Innovative Fiction

SN - 1759-281X

IS - 1

ER -