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It's Just the Internet! Appropriation in Postinternet Art

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It's Just the Internet! Appropriation in Postinternet Art. / Christou, Elisavet; Hazas, Michael David.

ARTECH2017 Proceedings of the 8th International Conference on Digital Arts. Macau : ACM, 2017. p. 127-133.

Research output: Contribution in Book/Report/ProceedingsConference contribution

Harvard

Christou, E & Hazas, MD 2017, It's Just the Internet! Appropriation in Postinternet Art. in ARTECH2017 Proceedings of the 8th International Conference on Digital Arts. ACM, Macau, pp. 127-133. DOI: 10.1145/3106548.3106608

APA

Christou, E., & Hazas, M. D. (2017). It's Just the Internet! Appropriation in Postinternet Art. In ARTECH2017 Proceedings of the 8th International Conference on Digital Arts (pp. 127-133). Macau: ACM. DOI: 10.1145/3106548.3106608

Vancouver

Christou E, Hazas MD. It's Just the Internet! Appropriation in Postinternet Art. In ARTECH2017 Proceedings of the 8th International Conference on Digital Arts. Macau: ACM. 2017. p. 127-133. Available from, DOI: 10.1145/3106548.3106608

Author

Christou, Elisavet; Hazas, Michael David / It's Just the Internet! Appropriation in Postinternet Art.

ARTECH2017 Proceedings of the 8th International Conference on Digital Arts. Macau : ACM, 2017. p. 127-133.

Research output: Contribution in Book/Report/ProceedingsConference contribution

Bibtex

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title = "It's Just the Internet! Appropriation in Postinternet Art",
abstract = "This paper examines the use of appropriation in contemporary internet art - postinternet art - in terms of internet technology and web content. The paper suggests that postinternet art reflects our cultural reality through the ubiquity and fluidity of internet services. This results to novel artistic practices that draw on the cultural connections made online by appropriating found web content and internet technology. The paper presents a study of 190 artworks from the ArtBase Rhizome’s digital archive between 2010-2015 to provide evidence on how and to what extent postinternet art appropriates the internet.",
keywords = "Fine Art, post-internet art, appropriation, Media Art, internet art, art and technology",
author = "Elisavet Christou and Hazas, {Michael David}",
year = "2017",
month = "9",
doi = "10.1145/3106548.3106608",
pages = "127--133",
booktitle = "ARTECH2017 Proceedings of the 8th International Conference on Digital Arts",
publisher = "ACM",

}

RIS

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T1 - It's Just the Internet! Appropriation in Postinternet Art

AU - Christou,Elisavet

AU - Hazas,Michael David

PY - 2017/9/6

Y1 - 2017/9/6

N2 - This paper examines the use of appropriation in contemporary internet art - postinternet art - in terms of internet technology and web content. The paper suggests that postinternet art reflects our cultural reality through the ubiquity and fluidity of internet services. This results to novel artistic practices that draw on the cultural connections made online by appropriating found web content and internet technology. The paper presents a study of 190 artworks from the ArtBase Rhizome’s digital archive between 2010-2015 to provide evidence on how and to what extent postinternet art appropriates the internet.

AB - This paper examines the use of appropriation in contemporary internet art - postinternet art - in terms of internet technology and web content. The paper suggests that postinternet art reflects our cultural reality through the ubiquity and fluidity of internet services. This results to novel artistic practices that draw on the cultural connections made online by appropriating found web content and internet technology. The paper presents a study of 190 artworks from the ArtBase Rhizome’s digital archive between 2010-2015 to provide evidence on how and to what extent postinternet art appropriates the internet.

KW - Fine Art

KW - post-internet art

KW - appropriation

KW - Media Art

KW - internet art

KW - art and technology

U2 - 10.1145/3106548.3106608

DO - 10.1145/3106548.3106608

M3 - Conference contribution

SP - 127

EP - 133

BT - ARTECH2017 Proceedings of the 8th International Conference on Digital Arts

PB - ACM

ER -