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Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

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Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). / Mawer, Deborah.

André Jolivet: music, art and literature. ed. / Caroline Rae. Lund Humphries, 2018.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Mawer, D 2018, Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). in C Rae (ed.), André Jolivet: music, art and literature. Lund Humphries.

APA

Mawer, D. (2018). Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In C. Rae (Ed.), André Jolivet: music, art and literature Lund Humphries.

Vancouver

Mawer D. Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). In Rae C, editor, André Jolivet: music, art and literature. Lund Humphries. 2018

Author

Mawer, Deborah. / Jolivet’s early music theory and its practice in Cinq danses rituelles (1939). André Jolivet: music, art and literature. editor / Caroline Rae. Lund Humphries, 2018.

Bibtex

@inbook{782351e352254d1fb538616428499a68,
title = "Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)",
abstract = "A notable facet of the case of Andr{\'e} Jolivet (1905-74) is the unusual amount and seriousness of attention that he devoted to writing articles on music theory. Generally, this was a reflective account which sought to explain both his compositional technique and his wider philosophy. What results is a rich theoretical repertoire to supplement the music. The objective of this chapter is thus twofold: firstly, to survey the most important concepts propounded in theoretic writings from the composer’s first mature period, chiefly those found in ‘Andr{\'e} Jolivet, ou la magie exp{\'e}rimentale’; secondly, to pursue such music theory in action, with specific reference to Cinq danses rituelles (1939). Through this dual process, I aim to gauge relations between theory and practice, as well as those between Jolivet’s compositional approach to elucidating his music (‘poietic’ dimension) and receiver-based analytical or interpretative (‘esthesic’) approaches.",
author = "Deborah Mawer",
year = "2018",
month = "11",
day = "6",
language = "English",
isbn = "9781472442956",
editor = "Caroline Rae",
booktitle = "Andr{\'e} Jolivet",
publisher = "Lund Humphries",

}

RIS

TY - CHAP

T1 - Jolivet’s early music theory and its practice in Cinq danses rituelles (1939)

AU - Mawer, Deborah

PY - 2018/11/6

Y1 - 2018/11/6

N2 - A notable facet of the case of André Jolivet (1905-74) is the unusual amount and seriousness of attention that he devoted to writing articles on music theory. Generally, this was a reflective account which sought to explain both his compositional technique and his wider philosophy. What results is a rich theoretical repertoire to supplement the music. The objective of this chapter is thus twofold: firstly, to survey the most important concepts propounded in theoretic writings from the composer’s first mature period, chiefly those found in ‘André Jolivet, ou la magie expérimentale’; secondly, to pursue such music theory in action, with specific reference to Cinq danses rituelles (1939). Through this dual process, I aim to gauge relations between theory and practice, as well as those between Jolivet’s compositional approach to elucidating his music (‘poietic’ dimension) and receiver-based analytical or interpretative (‘esthesic’) approaches.

AB - A notable facet of the case of André Jolivet (1905-74) is the unusual amount and seriousness of attention that he devoted to writing articles on music theory. Generally, this was a reflective account which sought to explain both his compositional technique and his wider philosophy. What results is a rich theoretical repertoire to supplement the music. The objective of this chapter is thus twofold: firstly, to survey the most important concepts propounded in theoretic writings from the composer’s first mature period, chiefly those found in ‘André Jolivet, ou la magie expérimentale’; secondly, to pursue such music theory in action, with specific reference to Cinq danses rituelles (1939). Through this dual process, I aim to gauge relations between theory and practice, as well as those between Jolivet’s compositional approach to elucidating his music (‘poietic’ dimension) and receiver-based analytical or interpretative (‘esthesic’) approaches.

M3 - Chapter

SN - 9781472442956

BT - André Jolivet

A2 - Rae, Caroline

PB - Lund Humphries

ER -