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Juan Benet and the French nouveau roman: A Contentious Connection Revisited

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Juan Benet and the French nouveau roman: A Contentious Connection Revisited. / O'Donoghue, Samuel.
In: MLN, Vol. 131, No. 2, 01.03.2016, p. 442-460.

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@article{ae1870c91d8f4146982c37e23106870d,
title = "Juan Benet and the French nouveau roman: A Contentious Connection Revisited",
abstract = "The uniqueness of Juan Benet's fiction has long been a truism in critical discussions on the Spanish author's work. This article seeks to challenge the notion that Benet's admittedly idiosyncratic style is without parallel by reevaluating the writer's relationship with the French nouveau roman. The article begins by diagnosing in Benet's theoretical work and in that of his French precursors a shared skepticism of humanist positivism and of the epistemological function of the written word before examining how this skepticism is manifested in Volver{\'a}s a Regi{\'o}n.",
author = "Samuel O'Donoghue",
year = "2016",
month = mar,
day = "1",
language = "English",
volume = "131",
pages = "442--460",
journal = "MLN",
publisher = "Johns Hopkins University Press",
number = "2",

}

RIS

TY - JOUR

T1 - Juan Benet and the French nouveau roman

T2 - A Contentious Connection Revisited

AU - O'Donoghue, Samuel

PY - 2016/3/1

Y1 - 2016/3/1

N2 - The uniqueness of Juan Benet's fiction has long been a truism in critical discussions on the Spanish author's work. This article seeks to challenge the notion that Benet's admittedly idiosyncratic style is without parallel by reevaluating the writer's relationship with the French nouveau roman. The article begins by diagnosing in Benet's theoretical work and in that of his French precursors a shared skepticism of humanist positivism and of the epistemological function of the written word before examining how this skepticism is manifested in Volverás a Región.

AB - The uniqueness of Juan Benet's fiction has long been a truism in critical discussions on the Spanish author's work. This article seeks to challenge the notion that Benet's admittedly idiosyncratic style is without parallel by reevaluating the writer's relationship with the French nouveau roman. The article begins by diagnosing in Benet's theoretical work and in that of his French precursors a shared skepticism of humanist positivism and of the epistemological function of the written word before examining how this skepticism is manifested in Volverás a Región.

M3 - Journal article

VL - 131

SP - 442

EP - 460

JO - MLN

JF - MLN

IS - 2

ER -