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Musical pragmatics and computer modelling

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Musical pragmatics and computer modelling. / Marsden, Alan A.

Musical Signification: Essays in the Semiotic Theory and Analysis of Music. De Gruyter Mouton, 1995. p. 335-348.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Marsden, AA 1995, Musical pragmatics and computer modelling. in Musical Signification: Essays in the Semiotic Theory and Analysis of Music. De Gruyter Mouton, pp. 335-348. https://doi.org/10.1515/9783110885187.335

APA

Marsden, A. A. (1995). Musical pragmatics and computer modelling. In Musical Signification: Essays in the Semiotic Theory and Analysis of Music (pp. 335-348). De Gruyter Mouton. https://doi.org/10.1515/9783110885187.335

Vancouver

Marsden AA. Musical pragmatics and computer modelling. In Musical Signification: Essays in the Semiotic Theory and Analysis of Music. De Gruyter Mouton. 1995. p. 335-348 https://doi.org/10.1515/9783110885187.335

Author

Marsden, Alan A. / Musical pragmatics and computer modelling. Musical Signification: Essays in the Semiotic Theory and Analysis of Music. De Gruyter Mouton, 1995. pp. 335-348

Bibtex

@inbook{6165720f843943af9943f76b6d537c3b,
title = "Musical pragmatics and computer modelling",
abstract = "A review of the current state of work in computer modelling in music reveals underlying problems of completeness and variability in the application of principles, which are indicative of central problems in systematic music theory generally. Solutions suggested by current work, again in computer modelling, require consideration of the pragmatics of listening to music leading to hypotheses which might act as bases both for variation in the application of principles and for the inference of new principles. Proposed hypotheses are derived from discussion of analyses of two pieces of music (the first of Webern's Five Pieces for String Quartet, Op. 5, and the third movement of Mozart's piano sonata in D major, K.284). Some conclusions are drawn both for potential application in computer modelling and for theories of musical meaning.",
author = "Marsden, {Alan A.}",
year = "1995",
doi = "10.1515/9783110885187.335",
language = "English",
isbn = "9783110140408",
pages = "335--348",
booktitle = "Musical Signification",
publisher = "De Gruyter Mouton",

}

RIS

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T1 - Musical pragmatics and computer modelling

AU - Marsden, Alan A.

PY - 1995

Y1 - 1995

N2 - A review of the current state of work in computer modelling in music reveals underlying problems of completeness and variability in the application of principles, which are indicative of central problems in systematic music theory generally. Solutions suggested by current work, again in computer modelling, require consideration of the pragmatics of listening to music leading to hypotheses which might act as bases both for variation in the application of principles and for the inference of new principles. Proposed hypotheses are derived from discussion of analyses of two pieces of music (the first of Webern's Five Pieces for String Quartet, Op. 5, and the third movement of Mozart's piano sonata in D major, K.284). Some conclusions are drawn both for potential application in computer modelling and for theories of musical meaning.

AB - A review of the current state of work in computer modelling in music reveals underlying problems of completeness and variability in the application of principles, which are indicative of central problems in systematic music theory generally. Solutions suggested by current work, again in computer modelling, require consideration of the pragmatics of listening to music leading to hypotheses which might act as bases both for variation in the application of principles and for the inference of new principles. Proposed hypotheses are derived from discussion of analyses of two pieces of music (the first of Webern's Five Pieces for String Quartet, Op. 5, and the third movement of Mozart's piano sonata in D major, K.284). Some conclusions are drawn both for potential application in computer modelling and for theories of musical meaning.

U2 - 10.1515/9783110885187.335

DO - 10.1515/9783110885187.335

M3 - Chapter

AN - SCOPUS:85064947394

SN - 9783110140408

SP - 335

EP - 348

BT - Musical Signification

PB - De Gruyter Mouton

ER -