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  • Musine Kokalari and the Power of Images 30 July 2015

    Rights statement: The final publication is available at Springer via http://dx.doi.org/10.1007/s11196-015-9437-6 Copyright transferred on 29 July 2015 to Springer Science+Business Media Dordrecht.

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Musine Kokalari and the power of images: law, aesthetics and memory regimes in the Albanian experience

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Musine Kokalari and the power of images: law, aesthetics and memory regimes in the Albanian experience. / Fijalkowski, Agata.
In: International Journal for the Semiotics of Law, Vol. 28, No. 3, 01.09.2015, p. 577-602.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Fijalkowski A. Musine Kokalari and the power of images: law, aesthetics and memory regimes in the Albanian experience. International Journal for the Semiotics of Law. 2015 Sept 1;28(3):577-602. Epub 2015 Aug 21. doi: 10.1007/s11196-015-9437-6

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Fijalkowski, Agata. / Musine Kokalari and the power of images : law, aesthetics and memory regimes in the Albanian experience. In: International Journal for the Semiotics of Law. 2015 ; Vol. 28, No. 3. pp. 577-602.

Bibtex

@article{59fbe9cad44249b0860d9ff5fb8133a1,
title = "Musine Kokalari and the power of images: law, aesthetics and memory regimes in the Albanian experience",
abstract = "Tarot cards are one means to unlocking an image. In this article, the image is that of the Albanian writer and political dissident Musine Kokalari at her 1946 trial. Her photograph features in Albanian discourses about its communist past. I argue that the image provides clues as to the manner in which the country has faced up to its own history. For what is certain is that the Albanian account of the Enver Hoxha dictatorship (1944-1991) remains incomplete. Drawing on Walter Benjamin{\textquoteright}s notion of {\textquoteleft}here-and-now in a flash{\textquoteright}, and Roland Barthes{\textquoteright} and Italo Calvino{\textquoteright}s reflections on photography and the power of the visual, we can identify at least two distinct memory regimes in the relevant historical, legal and political narratives.",
keywords = "law and aesthetics, tarot cards, photograph, Musine Kokalari, Albania, memory regimes, transitional justice",
author = "Agata Fijalkowski",
note = "The final publication is available at Springer via http://dx.doi.org/10.1007/s11196-015-9437-6",
year = "2015",
month = sep,
day = "1",
doi = "10.1007/s11196-015-9437-6",
language = "English",
volume = "28",
pages = "577--602",
journal = "International Journal for the Semiotics of Law",
issn = "0952-8059",
publisher = "Springer Netherlands",
number = "3",

}

RIS

TY - JOUR

T1 - Musine Kokalari and the power of images

T2 - law, aesthetics and memory regimes in the Albanian experience

AU - Fijalkowski, Agata

N1 - The final publication is available at Springer via http://dx.doi.org/10.1007/s11196-015-9437-6

PY - 2015/9/1

Y1 - 2015/9/1

N2 - Tarot cards are one means to unlocking an image. In this article, the image is that of the Albanian writer and political dissident Musine Kokalari at her 1946 trial. Her photograph features in Albanian discourses about its communist past. I argue that the image provides clues as to the manner in which the country has faced up to its own history. For what is certain is that the Albanian account of the Enver Hoxha dictatorship (1944-1991) remains incomplete. Drawing on Walter Benjamin’s notion of ‘here-and-now in a flash’, and Roland Barthes’ and Italo Calvino’s reflections on photography and the power of the visual, we can identify at least two distinct memory regimes in the relevant historical, legal and political narratives.

AB - Tarot cards are one means to unlocking an image. In this article, the image is that of the Albanian writer and political dissident Musine Kokalari at her 1946 trial. Her photograph features in Albanian discourses about its communist past. I argue that the image provides clues as to the manner in which the country has faced up to its own history. For what is certain is that the Albanian account of the Enver Hoxha dictatorship (1944-1991) remains incomplete. Drawing on Walter Benjamin’s notion of ‘here-and-now in a flash’, and Roland Barthes’ and Italo Calvino’s reflections on photography and the power of the visual, we can identify at least two distinct memory regimes in the relevant historical, legal and political narratives.

KW - law and aesthetics

KW - tarot cards

KW - photograph

KW - Musine Kokalari

KW - Albania

KW - memory regimes

KW - transitional justice

U2 - 10.1007/s11196-015-9437-6

DO - 10.1007/s11196-015-9437-6

M3 - Journal article

VL - 28

SP - 577

EP - 602

JO - International Journal for the Semiotics of Law

JF - International Journal for the Semiotics of Law

SN - 0952-8059

IS - 3

ER -