Passions and Actions : Deleuze's Cinematographic Cogito.

Lancaster Institute for the Contemporary Arts

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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Passions and Actions : Deleuze's Cinematographic Cogito. / Rushton, Richard.
In: Deleuze Studies, Vol. 2, No. 2, 12.2008, p. 121-139.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Rushton, R 2008, 'Passions and Actions : Deleuze's Cinematographic Cogito.', Deleuze Studies, vol. 2, no. 2, pp. 121-139. https://doi.org/10.3366/E175022410800024X

APA

Rushton, R. (2008). Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies, 2(2), 121-139. https://doi.org/10.3366/E175022410800024X

Vancouver

Rushton R. Passions and Actions : Deleuze's Cinematographic Cogito. Deleuze Studies. 2008 Dec;2(2):121-139. doi: 10.3366/E175022410800024X

Author

Rushton, Richard. / Passions and Actions : Deleuze's Cinematographic Cogito. In: Deleuze Studies. 2008 ; Vol. 2, No. 2. pp. 121-139.

Bibtex

@article{43ebc43510704208aecd918b145e0426,

title = "Passions and Actions : Deleuze's Cinematographic Cogito.",

abstract = "When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a {\textquoteleft}cinematographic Cogito{\textquoteright}. In this way, the article offers a way of understanding the processes of cinema spectatorship from a Deleuzian perspective.",

keywords = "cinema, new media, spectatorship, interactive, Mark Hansen, Cogito",

author = "Richard Rushton",

note = "{\textcopyright}2008 Edinburgh University Press",

year = "2008",

month = dec,

doi = "10.3366/E175022410800024X",

language = "English",

volume = "2",

pages = "121--139",

journal = "Deleuze Studies",

issn = "1755-1684",

publisher = "Edinburgh University Press",

number = "2",

}

RIS

TY - JOUR

T1 - Passions and Actions : Deleuze's Cinematographic Cogito.

AU - Rushton, Richard

PY - 2008/12

Y1 - 2008/12

N2 - When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a ‘cinematographic Cogito’. In this way, the article offers a way of understanding the processes of cinema spectatorship from a Deleuzian perspective.

AB - When writing about cinema does Deleuze have a conception of cinema spectatorship? In New Philosophy for New Media, Mark Hansen argues that Deleuze does have a conception of cinema spectatorship but that the subjectivity central to that spectatorship is weak and impoverished. This article argues against Hansen's reductive interpretation of Deleuze. In doing so, it relies on the three syntheses of time developed in Difference and Repetition alongside an elaboration of Deleuze's notion of a ‘cinematographic Cogito’. In this way, the article offers a way of understanding the processes of cinema spectatorship from a Deleuzian perspective.

KW - cinema

KW - new media

KW - spectatorship

KW - interactive

KW - Mark Hansen

KW - Cogito

U2 - 10.3366/E175022410800024X

DO - 10.3366/E175022410800024X

M3 - Journal article

VL - 2

SP - 121

EP - 139

JO - Deleuze Studies

JF - Deleuze Studies

SN - 1755-1684

IS - 2

ER -

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