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Playing spaces and performances in the age of Shakespeare.

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Playing spaces and performances in the age of Shakespeare. / Findlay, Alison G.
In: Literature Compass, Vol. 1, No. 1, 2003.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

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Findlay AG. Playing spaces and performances in the age of Shakespeare. Literature Compass. 2003;1(1). doi: 10.1111/j.1741-4113.2004.00033.x

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Bibtex

@article{fc711047999b431d92327d9febcabc1d,
title = "Playing spaces and performances in the age of Shakespeare.",
abstract = "Recent research on patronage, performance and playing spaces in early modern England allows us to reconfigure our understanding of its drama: not only that of the commercial metropolitan theatres, but performances at court, in the universities, in the provinces, and in great houses. This article explores how play-texts were informed by their intended playing spaces and highlights the wealth of texts, particularly by women, available outside the early modern commercial arena.",
author = "Findlay, {Alison G.}",
year = "2003",
doi = "10.1111/j.1741-4113.2004.00033.x",
language = "English",
volume = "1",
journal = "Literature Compass",
issn = "1741-4113",
publisher = "Wiley-Blackwell",
number = "1",

}

RIS

TY - JOUR

T1 - Playing spaces and performances in the age of Shakespeare.

AU - Findlay, Alison G.

PY - 2003

Y1 - 2003

N2 - Recent research on patronage, performance and playing spaces in early modern England allows us to reconfigure our understanding of its drama: not only that of the commercial metropolitan theatres, but performances at court, in the universities, in the provinces, and in great houses. This article explores how play-texts were informed by their intended playing spaces and highlights the wealth of texts, particularly by women, available outside the early modern commercial arena.

AB - Recent research on patronage, performance and playing spaces in early modern England allows us to reconfigure our understanding of its drama: not only that of the commercial metropolitan theatres, but performances at court, in the universities, in the provinces, and in great houses. This article explores how play-texts were informed by their intended playing spaces and highlights the wealth of texts, particularly by women, available outside the early modern commercial arena.

U2 - 10.1111/j.1741-4113.2004.00033.x

DO - 10.1111/j.1741-4113.2004.00033.x

M3 - Journal article

VL - 1

JO - Literature Compass

JF - Literature Compass

SN - 1741-4113

IS - 1

ER -