Home > Research > Publications & Outputs > Possible worlds and mental spaces in Hemingway'...
View graph of relations

Possible worlds and mental spaces in Hemingway's 'A very short story'

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Published

Standard

Possible worlds and mental spaces in Hemingway's 'A very short story'. / Semino, Elena.
Cognitive Poetics in Practice. Routledge Taylor & Francis Group, 2003. p. 83-98.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Semino, E 2003, Possible worlds and mental spaces in Hemingway's 'A very short story'. in Cognitive Poetics in Practice. Routledge Taylor & Francis Group, pp. 83-98. https://doi.org/10.4324/9780203417737

APA

Semino, E. (2003). Possible worlds and mental spaces in Hemingway's 'A very short story'. In Cognitive Poetics in Practice (pp. 83-98). Routledge Taylor & Francis Group. https://doi.org/10.4324/9780203417737

Vancouver

Semino E. Possible worlds and mental spaces in Hemingway's 'A very short story'. In Cognitive Poetics in Practice. Routledge Taylor & Francis Group. 2003. p. 83-98 doi: 10.4324/9780203417737

Author

Semino, Elena. / Possible worlds and mental spaces in Hemingway's 'A very short story'. Cognitive Poetics in Practice. Routledge Taylor & Francis Group, 2003. pp. 83-98

Bibtex

@inbook{d0af3da6f1ea4a168986107fd8deb37d,
title = "Possible worlds and mental spaces in Hemingway's 'A very short story'",
abstract = "Elena Semino{\textquoteright}s application of possible worlds theory and mental space theory to a Hemingway short story in this chapter sits comfortably alongside Chapter 10 and Chapter 11 of this collection. All three chapters discuss aspects of the mental representations readers create when processing literary texts and, read together, they provide a helpful overview of some of the most interesting research currently being developed in this area of cognitive poetics. In this chapter, Semino examines the relationships between the various worlds constructed during the course of a short narrative. She uses both possible worlds theory and the related cognitive framework of mental space theory, assessing the advantages and disadvantages of both these approaches as a means of deepening our understanding of Hemingway{\textquoteright}s text.",
author = "Elena Semino",
year = "2003",
month = feb,
day = "20",
doi = "10.4324/9780203417737",
language = "English",
isbn = "0203417739",
pages = "83--98",
booktitle = "Cognitive Poetics in Practice",
publisher = "Routledge Taylor & Francis Group",

}

RIS

TY - CHAP

T1 - Possible worlds and mental spaces in Hemingway's 'A very short story'

AU - Semino, Elena

PY - 2003/2/20

Y1 - 2003/2/20

N2 - Elena Semino’s application of possible worlds theory and mental space theory to a Hemingway short story in this chapter sits comfortably alongside Chapter 10 and Chapter 11 of this collection. All three chapters discuss aspects of the mental representations readers create when processing literary texts and, read together, they provide a helpful overview of some of the most interesting research currently being developed in this area of cognitive poetics. In this chapter, Semino examines the relationships between the various worlds constructed during the course of a short narrative. She uses both possible worlds theory and the related cognitive framework of mental space theory, assessing the advantages and disadvantages of both these approaches as a means of deepening our understanding of Hemingway’s text.

AB - Elena Semino’s application of possible worlds theory and mental space theory to a Hemingway short story in this chapter sits comfortably alongside Chapter 10 and Chapter 11 of this collection. All three chapters discuss aspects of the mental representations readers create when processing literary texts and, read together, they provide a helpful overview of some of the most interesting research currently being developed in this area of cognitive poetics. In this chapter, Semino examines the relationships between the various worlds constructed during the course of a short narrative. She uses both possible worlds theory and the related cognitive framework of mental space theory, assessing the advantages and disadvantages of both these approaches as a means of deepening our understanding of Hemingway’s text.

U2 - 10.4324/9780203417737

DO - 10.4324/9780203417737

M3 - Chapter

AN - SCOPUS:84917438203

SN - 0203417739

SN - 9780203417737

SP - 83

EP - 98

BT - Cognitive Poetics in Practice

PB - Routledge Taylor & Francis Group

ER -