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Rediscovering Artaud's sonic order

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

Rediscovering Artaud's sonic order. / Otondo, Felipe.
In: Journal of Music and Meaning, Vol. 9, No. n/a, 2010, p. 4-11.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Otondo, F 2010, 'Rediscovering Artaud's sonic order', Journal of Music and Meaning, vol. 9, no. n/a, pp. 4-11. <http://jmm9.musicandmeaning.net/#post1>

APA

Otondo, F. (2010). Rediscovering Artaud's sonic order. Journal of Music and Meaning, 9(n/a), 4-11. http://jmm9.musicandmeaning.net/#post1

Vancouver

Otondo F. Rediscovering Artaud's sonic order. Journal of Music and Meaning. 2010;9(n/a):4-11.

Author

Otondo, Felipe. / Rediscovering Artaud's sonic order. In: Journal of Music and Meaning. 2010 ; Vol. 9, No. n/a. pp. 4-11.

Bibtex

@article{42fda21914dd478289b729786a786696,
title = "Rediscovering Artaud's sonic order",
abstract = "This article describes some of Antonin Artaud{\textquoteright}s ideas concerning the use of sound and space that helped to shape the music for the piece To have done with the judgment of Artaud. The different levels of sonic relationships explored in the piece are explained, considering the use of glossolalia texts as the main driving force to integrate the recorded sound of Artaud{\textquoteright}s voice with the voices of performers on stage. In the second part of the article the spatial design created for the production is discussed in detail with examples of different levels of spatial relationships developed using mobile sound sources related to a variety of choreographed movements. In the last part of the article further developments of the work are outlined, considering the use of a wireless loudspeaker system as the basis for a spatial design in which the sounds of mobile sources can be effectively controlled and integrated into the action on stage.",
author = "Felipe Otondo",
year = "2010",
language = "English",
volume = "9",
pages = "4--11",
journal = "Journal of Music and Meaning",
issn = "1603-7170",
number = "n/a",

}

RIS

TY - JOUR

T1 - Rediscovering Artaud's sonic order

AU - Otondo, Felipe

PY - 2010

Y1 - 2010

N2 - This article describes some of Antonin Artaud’s ideas concerning the use of sound and space that helped to shape the music for the piece To have done with the judgment of Artaud. The different levels of sonic relationships explored in the piece are explained, considering the use of glossolalia texts as the main driving force to integrate the recorded sound of Artaud’s voice with the voices of performers on stage. In the second part of the article the spatial design created for the production is discussed in detail with examples of different levels of spatial relationships developed using mobile sound sources related to a variety of choreographed movements. In the last part of the article further developments of the work are outlined, considering the use of a wireless loudspeaker system as the basis for a spatial design in which the sounds of mobile sources can be effectively controlled and integrated into the action on stage.

AB - This article describes some of Antonin Artaud’s ideas concerning the use of sound and space that helped to shape the music for the piece To have done with the judgment of Artaud. The different levels of sonic relationships explored in the piece are explained, considering the use of glossolalia texts as the main driving force to integrate the recorded sound of Artaud’s voice with the voices of performers on stage. In the second part of the article the spatial design created for the production is discussed in detail with examples of different levels of spatial relationships developed using mobile sound sources related to a variety of choreographed movements. In the last part of the article further developments of the work are outlined, considering the use of a wireless loudspeaker system as the basis for a spatial design in which the sounds of mobile sources can be effectively controlled and integrated into the action on stage.

M3 - Journal article

VL - 9

SP - 4

EP - 11

JO - Journal of Music and Meaning

JF - Journal of Music and Meaning

SN - 1603-7170

IS - n/a

ER -