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Showcasing the Future: 'Soirées' in the Royal Society Archives

Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

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Showcasing the Future: 'Soirées' in the Royal Society Archives. / Kemp, Sandra.
2015. Paper presented at 1st atelier de recherche franco-britannique, Val d'Oise, France.

Research output: Contribution to conference - Without ISBN/ISSN Conference paperpeer-review

Harvard

Kemp, S 2015, 'Showcasing the Future: 'Soirées' in the Royal Society Archives', Paper presented at 1st atelier de recherche franco-britannique, Val d'Oise, France, 16/01/15 - 17/01/15.

APA

Kemp, S. (2015). Showcasing the Future: 'Soirées' in the Royal Society Archives. Paper presented at 1st atelier de recherche franco-britannique, Val d'Oise, France.

Vancouver

Kemp S. Showcasing the Future: 'Soirées' in the Royal Society Archives. 2015. Paper presented at 1st atelier de recherche franco-britannique, Val d'Oise, France.

Author

Kemp, Sandra. / Showcasing the Future : 'Soirées' in the Royal Society Archives. Paper presented at 1st atelier de recherche franco-britannique, Val d'Oise, France.

Bibtex

@conference{60890c624f984f8286fb19887411ce4c,
title = "Showcasing the Future: 'Soir{\'e}es' in the Royal Society Archives",
abstract = "This paper will investigate how those ephemeral Victorian and Edwardian exhibitions of arts and sciences known as {\textquoteleft}soir{\'e}es{\textquoteright} and {\textquoteleft}conversaziones{\textquoteright} foregrounded future possibilities by displaying eclectic collisions of scientific, technological, artistic and consumer goods. Soir{\'e}es epitomise the culture of the nineteenth century, displaying inventions that transformed modern civilisation, revolutionising industry, travel and communications. At a Royal Society soir{\'e}e in 1863, William Morris-company majolica tiles were displayed alongside Australian meteorites; while in 1890 a St Bernard dog provided a user-friendly demonstration of the latest electrocardiograph technology. In 1896 the claimed inventors of cinema and television, William Friese-Greene and A.A.Campbell Swinton, were accidentally thrown together as soir{\'e}e exhibitors. Through investigation of how historical soir{\'e}e materials were absorbed into museum collections and presented as publicly accessible history, the presentation will also use the Royal Society archive to explore new ways of thinking about temporality. It will examine the balance between the push of the past and the pull of the future in terms of the cultural constructions of each.",
author = "Sandra Kemp",
year = "2015",
month = jan,
day = "16",
language = "English",
note = "1st atelier de recherche franco-britannique ; Conference date: 16-01-2015 Through 17-01-2015",

}

RIS

TY - CONF

T1 - Showcasing the Future

T2 - 1st atelier de recherche franco-britannique

AU - Kemp, Sandra

PY - 2015/1/16

Y1 - 2015/1/16

N2 - This paper will investigate how those ephemeral Victorian and Edwardian exhibitions of arts and sciences known as ‘soirées’ and ‘conversaziones’ foregrounded future possibilities by displaying eclectic collisions of scientific, technological, artistic and consumer goods. Soirées epitomise the culture of the nineteenth century, displaying inventions that transformed modern civilisation, revolutionising industry, travel and communications. At a Royal Society soirée in 1863, William Morris-company majolica tiles were displayed alongside Australian meteorites; while in 1890 a St Bernard dog provided a user-friendly demonstration of the latest electrocardiograph technology. In 1896 the claimed inventors of cinema and television, William Friese-Greene and A.A.Campbell Swinton, were accidentally thrown together as soirée exhibitors. Through investigation of how historical soirée materials were absorbed into museum collections and presented as publicly accessible history, the presentation will also use the Royal Society archive to explore new ways of thinking about temporality. It will examine the balance between the push of the past and the pull of the future in terms of the cultural constructions of each.

AB - This paper will investigate how those ephemeral Victorian and Edwardian exhibitions of arts and sciences known as ‘soirées’ and ‘conversaziones’ foregrounded future possibilities by displaying eclectic collisions of scientific, technological, artistic and consumer goods. Soirées epitomise the culture of the nineteenth century, displaying inventions that transformed modern civilisation, revolutionising industry, travel and communications. At a Royal Society soirée in 1863, William Morris-company majolica tiles were displayed alongside Australian meteorites; while in 1890 a St Bernard dog provided a user-friendly demonstration of the latest electrocardiograph technology. In 1896 the claimed inventors of cinema and television, William Friese-Greene and A.A.Campbell Swinton, were accidentally thrown together as soirée exhibitors. Through investigation of how historical soirée materials were absorbed into museum collections and presented as publicly accessible history, the presentation will also use the Royal Society archive to explore new ways of thinking about temporality. It will examine the balance between the push of the past and the pull of the future in terms of the cultural constructions of each.

M3 - Conference paper

Y2 - 16 January 2015 through 17 January 2015

ER -