TY - JOUR

T1 - Structure of Class Feeling / Feeling of Class Structure

T2 - Laura Wade’s Posh and Katherine Soper’s Wish List

AU - Aston, Elaine Frances

N1 - © 2018 University of Toronto Press

PY - 2018/6/30

Y1 - 2018/6/30

N2 - Theatre’s counter-hegemonic resistance to the “demonization of the working class” (Owen Jones) is the subject of this article. This resistance is analysed through case studies of two “class acts”: the elite Oxford boys in Laura Wade’s Posh (2010) and poverty-stricken youth in Katherine Soper’s Wish List (2016). My close reading of these two plays involves a reprise of Raymond Williams’s “structure of feeling”: the conjugation of “structure” and “feeling” allows me to engage with and advocate a dual concern with systems of classification, and the affective, experiential (lived) dimension of being “classified.” Moving between the class-fuelled feelings of entitlement in Posh and those of alienation in Wish List, I elucidate how, under the UK’s regime of neoliberal austerity, the label “working class” has become “sticky” (Sara Ahmed) with disgust-making properties (Pierre Bourdieu). Overall, what emerges is a critical feeling for the UK as a class-divided nation and the urgent need to resist the entrenched classifying gaze of the neoliberalist imagination.

AB - Theatre’s counter-hegemonic resistance to the “demonization of the working class” (Owen Jones) is the subject of this article. This resistance is analysed through case studies of two “class acts”: the elite Oxford boys in Laura Wade’s Posh (2010) and poverty-stricken youth in Katherine Soper’s Wish List (2016). My close reading of these two plays involves a reprise of Raymond Williams’s “structure of feeling”: the conjugation of “structure” and “feeling” allows me to engage with and advocate a dual concern with systems of classification, and the affective, experiential (lived) dimension of being “classified.” Moving between the class-fuelled feelings of entitlement in Posh and those of alienation in Wish List, I elucidate how, under the UK’s regime of neoliberal austerity, the label “working class” has become “sticky” (Sara Ahmed) with disgust-making properties (Pierre Bourdieu). Overall, what emerges is a critical feeling for the UK as a class-divided nation and the urgent need to resist the entrenched classifying gaze of the neoliberalist imagination.

KW - class politics

KW - working class

KW - structure of feeling

KW - women’s playwriting

U2 - 10.3138/md.61.2.0932

DO - 10.3138/md.61.2.0932

M3 - Journal article

VL - 61

SP - 127

EP - 148

JO - Modern Drama

JF - Modern Drama

SN - 0026-7694

IS - 2

ER -