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    Rights statement: This is an Accepted Manuscript of an article published by Taylor & Francis in Celebrity Studies on 26/10/2016, available online: http://www.tandfonline.com/10.1080/19392397.2016.1233768

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The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship

Research output: Contribution to Journal/Magazine › Journal article › peer-review

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The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship. / Elliott, Kamilla.
In: Celebrity Studies, Vol. 7, No. 4, 10.2016, p. 526-544.

Research output: Contribution to Journal/Magazine › Journal article › peer-review

Harvard

Elliott, K 2016, 'The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship', Celebrity Studies, vol. 7, no. 4, pp. 526-544. https://doi.org/10.1080/19392397.2016.1233768

APA

Elliott, K. (2016). The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship. Celebrity Studies, 7(4), 526-544. https://doi.org/10.1080/19392397.2016.1233768

Vancouver

Elliott K. The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship. Celebrity Studies. 2016 Oct;7(4):526-544. Epub 2016 Oct 26. doi: 10.1080/19392397.2016.1233768

Author

Elliott, Kamilla. / The celebrity of anonymity and the anonymity of celebrity : picture identification and nineteenth-century British authorship. In: Celebrity Studies. 2016 ; Vol. 7, No. 4. pp. 526-544.

Bibtex

@article{ac8610875e514042bd29983c6c541135,
title = "The celebrity of anonymity and the anonymity of celebrity: picture identification and nineteenth-century British authorship",
abstract = "This article examines how the spaces between the words and images of various forms of picture identification (portraits, cartes de visite, and early cinema) navigated the space between anonymity and identification to construct British writers as celebrities during the long nineteenth century. Literary authors in that period did not become celebrities by words alone, but through intersemiotic relations between words and images. These relations varied across technologies and ideologies, sometimes collaborating, sometimes vying for dominance, and sometimes contradicting each other. These relations complicate and challenge late twentieth-century theories of authorship as well as illuminating nineteenth-century dynamics.",
keywords = "authorship, celebrity, picture identification, intersemiotic relations, portraiture, early cinema",
author = "Kamilla Elliott",
note = "This is an Accepted Manuscript of an article published by Taylor & Francis in Celebrity Studies on 26/10/2016, available online: http://www.tandfonline.com/10.1080/19392397.2016.1233768",
year = "2016",
month = oct,
doi = "10.1080/19392397.2016.1233768",
language = "English",
volume = "7",
pages = "526--544",
journal = "Celebrity Studies",
issn = "1939-2397",
publisher = "Routledge",
number = "4",

}

RIS

TY - JOUR

T1 - The celebrity of anonymity and the anonymity of celebrity

T2 - picture identification and nineteenth-century British authorship

AU - Elliott, Kamilla

N1 - This is an Accepted Manuscript of an article published by Taylor & Francis in Celebrity Studies on 26/10/2016, available online: http://www.tandfonline.com/10.1080/19392397.2016.1233768

PY - 2016/10

Y1 - 2016/10

N2 - This article examines how the spaces between the words and images of various forms of picture identification (portraits, cartes de visite, and early cinema) navigated the space between anonymity and identification to construct British writers as celebrities during the long nineteenth century. Literary authors in that period did not become celebrities by words alone, but through intersemiotic relations between words and images. These relations varied across technologies and ideologies, sometimes collaborating, sometimes vying for dominance, and sometimes contradicting each other. These relations complicate and challenge late twentieth-century theories of authorship as well as illuminating nineteenth-century dynamics.

AB - This article examines how the spaces between the words and images of various forms of picture identification (portraits, cartes de visite, and early cinema) navigated the space between anonymity and identification to construct British writers as celebrities during the long nineteenth century. Literary authors in that period did not become celebrities by words alone, but through intersemiotic relations between words and images. These relations varied across technologies and ideologies, sometimes collaborating, sometimes vying for dominance, and sometimes contradicting each other. These relations complicate and challenge late twentieth-century theories of authorship as well as illuminating nineteenth-century dynamics.

KW - authorship

KW - celebrity

KW - picture identification

KW - intersemiotic relations

KW - portraiture

KW - early cinema

U2 - 10.1080/19392397.2016.1233768

DO - 10.1080/19392397.2016.1233768

M3 - Journal article

VL - 7

SP - 526

EP - 544

JO - Celebrity Studies

JF - Celebrity Studies

SN - 1939-2397

IS - 4

ER -