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The ColorDex DJ system: a new interface for live music mixing

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The ColorDex DJ system: a new interface for live music mixing. / Villar, Nicolas; Gellersen, Hans; Jervis, Matt et al.
NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression. ACM, 2007. p. 264-269.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNConference contribution/Paperpeer-review

Harvard

Villar, N, Gellersen, H, Jervis, M & Lang, A 2007, The ColorDex DJ system: a new interface for live music mixing. in NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression. ACM, pp. 264-269, NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression, 1/01/00. https://doi.org/10.1145/1279740.1279795

APA

Villar, N., Gellersen, H., Jervis, M., & Lang, A. (2007). The ColorDex DJ system: a new interface for live music mixing. In NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression (pp. 264-269). ACM. https://doi.org/10.1145/1279740.1279795

Vancouver

Villar N, Gellersen H, Jervis M, Lang A. The ColorDex DJ system: a new interface for live music mixing. In NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression. ACM. 2007. p. 264-269 doi: 10.1145/1279740.1279795

Author

Villar, Nicolas ; Gellersen, Hans ; Jervis, Matt et al. / The ColorDex DJ system: a new interface for live music mixing. NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression. ACM, 2007. pp. 264-269

Bibtex

@inproceedings{e37eef8da0244fdba999ac3da35bd62e,
title = "The ColorDex DJ system: a new interface for live music mixing",
abstract = "This paper describes the design and implementation of a new interface prototype for live music mixing. The ColorDex system employs a completely new operational metaphor which allows the mix DJ to prepare up to six tracks at once, and perform mixes between up to three of those at a time. The basic premises of the design are: 1) Build a performance tool that multiplies the possible choices a DJ has in respect in how and when tracks are prepared and mixed; 2) Design the system in such a way that the tool does not overload the performer with unnecessary complexity, and 3) Make use of novel technology to make the performance of live music mixing more engaging for both the performer and the audience. The core components of the system are: A software program to load, visualize and playback digitally encoded tracks; the HDDJ device (built chiefly out of a repurposed hard disk drive), which provides tactile manipulation of the playback speed and position of tracks; and the Cubic Crossfader, a wireless sensor cube that controls of the volume of individual tracks, and allows the DJ to mix these in interesting ways.",
keywords = "cs_eprint_id, 1551 cs_uid, 382",
author = "Nicolas Villar and Hans Gellersen and Matt Jervis and Alexander Lang",
year = "2007",
doi = "10.1145/1279740.1279795",
language = "English",
pages = "264--269",
booktitle = "NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression",
publisher = "ACM",
note = "NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression ; Conference date: 01-01-1900",

}

RIS

TY - GEN

T1 - The ColorDex DJ system: a new interface for live music mixing

AU - Villar, Nicolas

AU - Gellersen, Hans

AU - Jervis, Matt

AU - Lang, Alexander

PY - 2007

Y1 - 2007

N2 - This paper describes the design and implementation of a new interface prototype for live music mixing. The ColorDex system employs a completely new operational metaphor which allows the mix DJ to prepare up to six tracks at once, and perform mixes between up to three of those at a time. The basic premises of the design are: 1) Build a performance tool that multiplies the possible choices a DJ has in respect in how and when tracks are prepared and mixed; 2) Design the system in such a way that the tool does not overload the performer with unnecessary complexity, and 3) Make use of novel technology to make the performance of live music mixing more engaging for both the performer and the audience. The core components of the system are: A software program to load, visualize and playback digitally encoded tracks; the HDDJ device (built chiefly out of a repurposed hard disk drive), which provides tactile manipulation of the playback speed and position of tracks; and the Cubic Crossfader, a wireless sensor cube that controls of the volume of individual tracks, and allows the DJ to mix these in interesting ways.

AB - This paper describes the design and implementation of a new interface prototype for live music mixing. The ColorDex system employs a completely new operational metaphor which allows the mix DJ to prepare up to six tracks at once, and perform mixes between up to three of those at a time. The basic premises of the design are: 1) Build a performance tool that multiplies the possible choices a DJ has in respect in how and when tracks are prepared and mixed; 2) Design the system in such a way that the tool does not overload the performer with unnecessary complexity, and 3) Make use of novel technology to make the performance of live music mixing more engaging for both the performer and the audience. The core components of the system are: A software program to load, visualize and playback digitally encoded tracks; the HDDJ device (built chiefly out of a repurposed hard disk drive), which provides tactile manipulation of the playback speed and position of tracks; and the Cubic Crossfader, a wireless sensor cube that controls of the volume of individual tracks, and allows the DJ to mix these in interesting ways.

KW - cs_eprint_id

KW - 1551 cs_uid

KW - 382

U2 - 10.1145/1279740.1279795

DO - 10.1145/1279740.1279795

M3 - Conference contribution/Paper

SP - 264

EP - 269

BT - NIME '07 Proceedings of the 7th international conference on New interfaces for musical expression

PB - ACM

T2 - NIME '07: Proceedings of the 7th international conference on New interfaces for musical expression

Y2 - 1 January 1900

ER -