Home > Research > Publications & Outputs > The Dangerous Woman of Melvillean Melodrama

Electronic data

  • Download5

    Rights statement: http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly, 12 (45), pp 30-42 1996, © 1996 Cambridge University Press.

    Final published version, 3.49 MB, PDF document

Links

Text available via DOI:

View graph of relations

The Dangerous Woman of Melvillean Melodrama

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Published

Standard

The Dangerous Woman of Melvillean Melodrama. / Aston, Elaine; Clarke, Ian.
In: New Theatre Quarterly, Vol. 12, No. 45, 02.1996, p. 30-42.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Aston, E & Clarke, I 1996, 'The Dangerous Woman of Melvillean Melodrama', New Theatre Quarterly, vol. 12, no. 45, pp. 30-42. https://doi.org/10.1017/S0266464X0000960X

APA

Aston, E., & Clarke, I. (1996). The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly, 12(45), 30-42. https://doi.org/10.1017/S0266464X0000960X

Vancouver

Aston E, Clarke I. The Dangerous Woman of Melvillean Melodrama. New Theatre Quarterly. 1996 Feb;12(45):30-42. doi: 10.1017/S0266464X0000960X

Author

Aston, Elaine ; Clarke, Ian. / The Dangerous Woman of Melvillean Melodrama. In: New Theatre Quarterly. 1996 ; Vol. 12, No. 45. pp. 30-42.

Bibtex

@article{e246b27f85724a79a0a13f96f56b6ffc,
title = "The Dangerous Woman of Melvillean Melodrama",
abstract = "Almost in its death throes at the turn of the present century, sensational melodrama threw up a curious mutation at the hands of the prolific playwrights and managers, the brothers Walter and Frederick Melville. In numerous of their plays performed in the decade or so before the First World War, the {\textquoteleft}New Woman{\textquoteright}, whose rights and rebellions were simultaneously the focus of debate in so-called {\textquoteleft}problem{\textquoteright} plays, took on a new and threatening aspect – as the eponymously {\textquoteleft}dangerous{\textquoteright} central character of The Worst Woman in London, A Disgrace to Her Sex, The Girl Who Wrecked His Home, and a score or so of similar titles. In the following article Elaine Aston and lan Clarke explore the nature of these {\textquoteleft}strong{\textquoteright} female roles, both as acting vehicles and as embodiments of male fears and fantasies, in a theatre which existed in large part to serve such needs and which, through such characters, at once fictionalized and affirmed the fears of {\textquoteleft}respectable{\textquoteright} society about the moral stature of the actress. The authors both teach in the Department of English and Drama at Loughborough University, where lan Clarke is Director of Drama, having previously published his own study of Edwardian Drama in 1989.",
author = "Elaine Aston and Ian Clarke",
note = "http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly, 12 (45), pp 30-42 1996, {\textcopyright} 1996 Cambridge University Press.",
year = "1996",
month = feb,
doi = "10.1017/S0266464X0000960X",
language = "English",
volume = "12",
pages = "30--42",
journal = "New Theatre Quarterly",
issn = "0266-464X",
publisher = "Cambridge University Press",
number = "45",

}

RIS

TY - JOUR

T1 - The Dangerous Woman of Melvillean Melodrama

AU - Aston, Elaine

AU - Clarke, Ian

N1 - http://journals.cambridge.org/action/displayJournal?jid=NTQ The final, definitive version of this article has been published in the Journal, New Theatre Quarterly, 12 (45), pp 30-42 1996, © 1996 Cambridge University Press.

PY - 1996/2

Y1 - 1996/2

N2 - Almost in its death throes at the turn of the present century, sensational melodrama threw up a curious mutation at the hands of the prolific playwrights and managers, the brothers Walter and Frederick Melville. In numerous of their plays performed in the decade or so before the First World War, the ‘New Woman’, whose rights and rebellions were simultaneously the focus of debate in so-called ‘problem’ plays, took on a new and threatening aspect – as the eponymously ‘dangerous’ central character of The Worst Woman in London, A Disgrace to Her Sex, The Girl Who Wrecked His Home, and a score or so of similar titles. In the following article Elaine Aston and lan Clarke explore the nature of these ‘strong’ female roles, both as acting vehicles and as embodiments of male fears and fantasies, in a theatre which existed in large part to serve such needs and which, through such characters, at once fictionalized and affirmed the fears of ‘respectable’ society about the moral stature of the actress. The authors both teach in the Department of English and Drama at Loughborough University, where lan Clarke is Director of Drama, having previously published his own study of Edwardian Drama in 1989.

AB - Almost in its death throes at the turn of the present century, sensational melodrama threw up a curious mutation at the hands of the prolific playwrights and managers, the brothers Walter and Frederick Melville. In numerous of their plays performed in the decade or so before the First World War, the ‘New Woman’, whose rights and rebellions were simultaneously the focus of debate in so-called ‘problem’ plays, took on a new and threatening aspect – as the eponymously ‘dangerous’ central character of The Worst Woman in London, A Disgrace to Her Sex, The Girl Who Wrecked His Home, and a score or so of similar titles. In the following article Elaine Aston and lan Clarke explore the nature of these ‘strong’ female roles, both as acting vehicles and as embodiments of male fears and fantasies, in a theatre which existed in large part to serve such needs and which, through such characters, at once fictionalized and affirmed the fears of ‘respectable’ society about the moral stature of the actress. The authors both teach in the Department of English and Drama at Loughborough University, where lan Clarke is Director of Drama, having previously published his own study of Edwardian Drama in 1989.

U2 - 10.1017/S0266464X0000960X

DO - 10.1017/S0266464X0000960X

M3 - Journal article

VL - 12

SP - 30

EP - 42

JO - New Theatre Quarterly

JF - New Theatre Quarterly

SN - 0266-464X

IS - 45

ER -