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The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land": Written in collaboration with Victor Noir

Research output: Other contribution

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The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land": Written in collaboration with Victor Noir. / Tyler, Imogen.
2 p. 2012, The Lie of the Land.

Research output: Other contribution

Harvard

Tyler, I 2012, The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land": Written in collaboration with Victor Noir.. <http://victornoir.co.uk/wp-content/uploads/The-Lie-of-the-Land.pdf>

APA

Tyler, I. (2012, Jul). The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land": Written in collaboration with Victor Noir. http://victornoir.co.uk/wp-content/uploads/The-Lie-of-the-Land.pdf

Vancouver

Tyler I. The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land": Written in collaboration with Victor Noir. 2012. 2 p.

Author

Tyler, Imogen. / The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land" : Written in collaboration with Victor Noir. 2012. 2 p.

Bibtex

@misc{3f2866697bc044acbef1a9e6539db90f,
title = "The Lie of the Land A short essay to accompany art exhibition {"}Dark Corners of the Land{"}: Written in collaboration with Victor Noir",
abstract = "In Dreaming the Dark: Magic, Sex and Politics, witch, activist and writer Starhawk, reminds us that {\textquoteleft}witch-hunts{\textquoteright} are not simply {\textquoteleft}in the past{\textquoteright}, something that happened in another time, but are a form of violent subjugation which continues to shape and be practiced in the present. For Starhawk, and otherfeminist writers such as Silvia Federici (2004), {\textquoteleft}the wonderful discovery of witches{\textquoteright} (Thomas Potts, 1612) is intimately bound up with the epochal shift to capitalist societies, including the enclosure of land for capitalist exploitation and the subjugation of women and the poor.As we know from the range of publicity which surrounds us, 2012 marks the 400th anniversary of the Pendle Witch trials. Everywhere, plays, art works, conferences and {\textquoteleft}witch-tourism{\textquoteright} remind of us these terrible events. Yet what are we doing when we {\textquoteleft}remember{\textquoteright} the murder of these women and men inLancaster? Is there a risk that we are reworking this history in ways which {\textquoteleft}enclose{\textquoteright} and {\textquoteleft}capture{\textquoteright} it in the past? Does this reworking also capitalise on their deaths as forms of heritage and tourism to be consumed {\textquoteleft}for pleasure{\textquoteright} in the present?",
author = "Imogen Tyler",
year = "2012",
month = jul,
language = "English",
type = "Other",

}

RIS

TY - GEN

T1 - The Lie of the Land A short essay to accompany art exhibition "Dark Corners of the Land"

T2 - Written in collaboration with Victor Noir

AU - Tyler, Imogen

PY - 2012/7

Y1 - 2012/7

N2 - In Dreaming the Dark: Magic, Sex and Politics, witch, activist and writer Starhawk, reminds us that ‘witch-hunts’ are not simply ‘in the past’, something that happened in another time, but are a form of violent subjugation which continues to shape and be practiced in the present. For Starhawk, and otherfeminist writers such as Silvia Federici (2004), ‘the wonderful discovery of witches’ (Thomas Potts, 1612) is intimately bound up with the epochal shift to capitalist societies, including the enclosure of land for capitalist exploitation and the subjugation of women and the poor.As we know from the range of publicity which surrounds us, 2012 marks the 400th anniversary of the Pendle Witch trials. Everywhere, plays, art works, conferences and ‘witch-tourism’ remind of us these terrible events. Yet what are we doing when we ‘remember’ the murder of these women and men inLancaster? Is there a risk that we are reworking this history in ways which ‘enclose’ and ‘capture’ it in the past? Does this reworking also capitalise on their deaths as forms of heritage and tourism to be consumed ‘for pleasure’ in the present?

AB - In Dreaming the Dark: Magic, Sex and Politics, witch, activist and writer Starhawk, reminds us that ‘witch-hunts’ are not simply ‘in the past’, something that happened in another time, but are a form of violent subjugation which continues to shape and be practiced in the present. For Starhawk, and otherfeminist writers such as Silvia Federici (2004), ‘the wonderful discovery of witches’ (Thomas Potts, 1612) is intimately bound up with the epochal shift to capitalist societies, including the enclosure of land for capitalist exploitation and the subjugation of women and the poor.As we know from the range of publicity which surrounds us, 2012 marks the 400th anniversary of the Pendle Witch trials. Everywhere, plays, art works, conferences and ‘witch-tourism’ remind of us these terrible events. Yet what are we doing when we ‘remember’ the murder of these women and men inLancaster? Is there a risk that we are reworking this history in ways which ‘enclose’ and ‘capture’ it in the past? Does this reworking also capitalise on their deaths as forms of heritage and tourism to be consumed ‘for pleasure’ in the present?

M3 - Other contribution

ER -