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The Loss of the Human and the End of Boredom

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The Loss of the Human and the End of Boredom. / Gere, Charles Edward.
In: CounterText, Vol. 1, No. 3, 12.2015, p. 289-303.

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Gere CE. The Loss of the Human and the End of Boredom. CounterText. 2015 Dec;1(3):289-303. doi: 10.3366/count.2015.0024

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Gere, Charles Edward. / The Loss of the Human and the End of Boredom. In: CounterText. 2015 ; Vol. 1, No. 3. pp. 289-303.

Bibtex

@article{10bec0667d314fe587e0bf7d0b4e0205,
title = "The Loss of the Human and the End of Boredom",
abstract = "This paper looks at the role of boredom as central to the emergence of the human, and at its disappearance in our hypermediated culture. It does so through the works of Giorgio Agamben, in particular his discussions of the apparatus and of Stimmung, mood; his engagement with Heidegger's notion of boredom as Stimmung; and Agamben's radical reading of Aristotle's understanding of potentiality. Finally through a consideration of the relation between Agamben and John Cage and other avant-garde artists working with the idea of boredom, this paper examines the role of art in allowing boredom to reveal the fundamental inoperativity of the human, something that the culture of contemporary distraction and hypermediation disavows.",
keywords = "boredom, Giorgio Agamben, apparatus, Aristotle, Martin Heidegger, Jacob von Uexk{\"u}ll, Stimmung, potentiality, John Cage, Guy Debord",
author = "Gere, {Charles Edward}",
year = "2015",
month = dec,
doi = "10.3366/count.2015.0024",
language = "English",
volume = "1",
pages = "289--303",
journal = "CounterText",
issn = "2056-4406",
publisher = "Edinburgh University Press",
number = "3",

}

RIS

TY - JOUR

T1 - The Loss of the Human and the End of Boredom

AU - Gere, Charles Edward

PY - 2015/12

Y1 - 2015/12

N2 - This paper looks at the role of boredom as central to the emergence of the human, and at its disappearance in our hypermediated culture. It does so through the works of Giorgio Agamben, in particular his discussions of the apparatus and of Stimmung, mood; his engagement with Heidegger's notion of boredom as Stimmung; and Agamben's radical reading of Aristotle's understanding of potentiality. Finally through a consideration of the relation between Agamben and John Cage and other avant-garde artists working with the idea of boredom, this paper examines the role of art in allowing boredom to reveal the fundamental inoperativity of the human, something that the culture of contemporary distraction and hypermediation disavows.

AB - This paper looks at the role of boredom as central to the emergence of the human, and at its disappearance in our hypermediated culture. It does so through the works of Giorgio Agamben, in particular his discussions of the apparatus and of Stimmung, mood; his engagement with Heidegger's notion of boredom as Stimmung; and Agamben's radical reading of Aristotle's understanding of potentiality. Finally through a consideration of the relation between Agamben and John Cage and other avant-garde artists working with the idea of boredom, this paper examines the role of art in allowing boredom to reveal the fundamental inoperativity of the human, something that the culture of contemporary distraction and hypermediation disavows.

KW - boredom

KW - Giorgio Agamben

KW - apparatus

KW - Aristotle

KW - Martin Heidegger

KW - Jacob von Uexküll

KW - Stimmung

KW - potentiality

KW - John Cage

KW - Guy Debord

U2 - 10.3366/count.2015.0024

DO - 10.3366/count.2015.0024

M3 - Journal article

VL - 1

SP - 289

EP - 303

JO - CounterText

JF - CounterText

SN - 2056-4406

IS - 3

ER -