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The Romantic Absolute

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The Romantic Absolute. / Stone, Alison.
In: British Journal for the History of Philosophy, Vol. 19, No. 3, 2011, p. 497-517.

Research output: Contribution to Journal/MagazineJournal articlepeer-review

Harvard

Stone, A 2011, 'The Romantic Absolute', British Journal for the History of Philosophy, vol. 19, no. 3, pp. 497-517. https://doi.org/10.1080/09608788.2011.563524

APA

Stone, A. (2011). The Romantic Absolute. British Journal for the History of Philosophy, 19(3), 497-517. https://doi.org/10.1080/09608788.2011.563524

Vancouver

Stone A. The Romantic Absolute. British Journal for the History of Philosophy. 2011;19(3):497-517. doi: 10.1080/09608788.2011.563524

Author

Stone, Alison. / The Romantic Absolute. In: British Journal for the History of Philosophy. 2011 ; Vol. 19, No. 3. pp. 497-517.

Bibtex

@article{a5d9b693c795469f9b48a56cf2340d38,
title = "The Romantic Absolute",
abstract = "In this article I argue that the Early German Romantics understand the absolute, or being, to be an infinite whole encompassing all the things of the world and all their causal relations. The Romantics argue that we strive endlessly to know this whole but only acquire an expanding, increasingly systematic body of knowledge about finite things, a system of knowledge which can never be completed. We strive to know the whole, the Romantics claim, because we have an original feeling of it that motivates our striving. I then examine two different Romantic accounts of this feeling. The first, given by Novalis, is that feeling gives us a kind of access to the absolute which logically precedes any conceptualisation. I argue that this account is problematic and that a second account, offered by Friedrich Schlegel, is preferable. On this account, we feel the absolute in that we intuit it aesthetically in certain natural phenomena. This form of intuition is partly cognitive and partly non-cognitive, and therefore it motivates us to strive to convert our intuition into full knowledge.",
keywords = "absolute, being, knowledge, nature, Novalis, Romanticism, Schlegel",
author = "Alison Stone",
year = "2011",
doi = "10.1080/09608788.2011.563524",
language = "English",
volume = "19",
pages = "497--517",
journal = "British Journal for the History of Philosophy",
issn = "0960-8788",
publisher = "Routledge",
number = "3",

}

RIS

TY - JOUR

T1 - The Romantic Absolute

AU - Stone, Alison

PY - 2011

Y1 - 2011

N2 - In this article I argue that the Early German Romantics understand the absolute, or being, to be an infinite whole encompassing all the things of the world and all their causal relations. The Romantics argue that we strive endlessly to know this whole but only acquire an expanding, increasingly systematic body of knowledge about finite things, a system of knowledge which can never be completed. We strive to know the whole, the Romantics claim, because we have an original feeling of it that motivates our striving. I then examine two different Romantic accounts of this feeling. The first, given by Novalis, is that feeling gives us a kind of access to the absolute which logically precedes any conceptualisation. I argue that this account is problematic and that a second account, offered by Friedrich Schlegel, is preferable. On this account, we feel the absolute in that we intuit it aesthetically in certain natural phenomena. This form of intuition is partly cognitive and partly non-cognitive, and therefore it motivates us to strive to convert our intuition into full knowledge.

AB - In this article I argue that the Early German Romantics understand the absolute, or being, to be an infinite whole encompassing all the things of the world and all their causal relations. The Romantics argue that we strive endlessly to know this whole but only acquire an expanding, increasingly systematic body of knowledge about finite things, a system of knowledge which can never be completed. We strive to know the whole, the Romantics claim, because we have an original feeling of it that motivates our striving. I then examine two different Romantic accounts of this feeling. The first, given by Novalis, is that feeling gives us a kind of access to the absolute which logically precedes any conceptualisation. I argue that this account is problematic and that a second account, offered by Friedrich Schlegel, is preferable. On this account, we feel the absolute in that we intuit it aesthetically in certain natural phenomena. This form of intuition is partly cognitive and partly non-cognitive, and therefore it motivates us to strive to convert our intuition into full knowledge.

KW - absolute

KW - being

KW - knowledge

KW - nature

KW - Novalis

KW - Romanticism

KW - Schlegel

U2 - 10.1080/09608788.2011.563524

DO - 10.1080/09608788.2011.563524

M3 - Journal article

VL - 19

SP - 497

EP - 517

JO - British Journal for the History of Philosophy

JF - British Journal for the History of Philosophy

SN - 0960-8788

IS - 3

ER -