Research output: Contribution to Journal/Magazine › Journal article › peer-review
Research output: Contribution to Journal/Magazine › Journal article › peer-review
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TY - JOUR
T1 - Trance and visibility at dawn
T2 - racial dynamics in Goa's rave scene
AU - Saldanha, Arun
PY - 2005
Y1 - 2005
N2 - The geography of music has recently turned to questions of embodiment and materiality to account for the sensuous specificity of music. Extending this work, this article emphasizes the constitutive work that embodied experience of music and space does for social differences such as race and gender. It criticizes what is perceived as a limited conception of embodiment in non-representational theory. Using ethnographic evidence from the rave tourism scene in Goa, India, it is argued that precisely during the scene's most mystical and hedonistic moments (what will be called the ‘morning phase'), racial dynamics are at their starkest. It is crucial to understand that racial difference is emergent and not automatic. The article then suggests a Deleuzian musicology which conceives music not as form, language or ideology, but as force. Accounting for the richness of musical materiality involves examining the networks of power and inequality through which it necessarily operates.
AB - The geography of music has recently turned to questions of embodiment and materiality to account for the sensuous specificity of music. Extending this work, this article emphasizes the constitutive work that embodied experience of music and space does for social differences such as race and gender. It criticizes what is perceived as a limited conception of embodiment in non-representational theory. Using ethnographic evidence from the rave tourism scene in Goa, India, it is argued that precisely during the scene's most mystical and hedonistic moments (what will be called the ‘morning phase'), racial dynamics are at their starkest. It is crucial to understand that racial difference is emergent and not automatic. The article then suggests a Deleuzian musicology which conceives music not as form, language or ideology, but as force. Accounting for the richness of musical materiality involves examining the networks of power and inequality through which it necessarily operates.
KW - music
KW - race
KW - tourism
KW - embodiment
KW - nonrepresentational theory
KW - Deleuze
KW - Goa
KW - trance
U2 - 10.1080/14649360500258328
DO - 10.1080/14649360500258328
M3 - Journal article
VL - 6
SP - 707
EP - 721
JO - Social and Cultural Geography
JF - Social and Cultural Geography
SN - 1464-9365
IS - 5
ER -