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Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation.

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Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation. / Borio, Gianmario; Iddon, Martin (trans.).

In: Contemporary Music Review, Vol. 26, No. 1, 2007, p. 53-76.

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Borio, Gianmario ; Iddon, Martin (trans.). / Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation. In: Contemporary Music Review. 2007 ; Vol. 26, No. 1. pp. 53-76.

Bibtex

@article{e4e78518e5e744c0b24ed32e252bb289,
title = "Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation.",
abstract = "This article examines Adorno's thinking on the relationship between musical analysis, interpretation and performance. Adorno's work is set in the context both of its aesthetic antecedents, particularly in the work of Schoenberg as composer and as music theorist, and of its subsequent critics. At the centre of the article is a discussion of the analysis seminars which Adorno gave during the Darmstadt Ferienkurse in the mid-1950s, on Schoenberg's Verklrte Nacht and Phantasy for violin and piano and Webern's Six Bagatelles for string quartet, op. 9.",
keywords = "Adorno, Schoenberg, Structure, Performance",
author = "Gianmario Borio and Iddon, {Martin (trans.)}",
year = "2007",
doi = "10.1080/07494460601069226",
language = "English",
volume = "26",
pages = "53--76",
journal = "Contemporary Music Review",
issn = "0749-4467",
publisher = "Routledge",
number = "1",

}

RIS

TY - JOUR

T1 - Translation: Gianmario Borio, Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation.

AU - Borio, Gianmario

AU - Iddon, Martin (trans.)

PY - 2007

Y1 - 2007

N2 - This article examines Adorno's thinking on the relationship between musical analysis, interpretation and performance. Adorno's work is set in the context both of its aesthetic antecedents, particularly in the work of Schoenberg as composer and as music theorist, and of its subsequent critics. At the centre of the article is a discussion of the analysis seminars which Adorno gave during the Darmstadt Ferienkurse in the mid-1950s, on Schoenberg's Verklrte Nacht and Phantasy for violin and piano and Webern's Six Bagatelles for string quartet, op. 9.

AB - This article examines Adorno's thinking on the relationship between musical analysis, interpretation and performance. Adorno's work is set in the context both of its aesthetic antecedents, particularly in the work of Schoenberg as composer and as music theorist, and of its subsequent critics. At the centre of the article is a discussion of the analysis seminars which Adorno gave during the Darmstadt Ferienkurse in the mid-1950s, on Schoenberg's Verklrte Nacht and Phantasy for violin and piano and Webern's Six Bagatelles for string quartet, op. 9.

KW - Adorno

KW - Schoenberg

KW - Structure

KW - Performance

U2 - 10.1080/07494460601069226

DO - 10.1080/07494460601069226

M3 - Journal article

VL - 26

SP - 53

EP - 76

JO - Contemporary Music Review

JF - Contemporary Music Review

SN - 0749-4467

IS - 1

ER -