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'What was the question?': music analysis and the computer.

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Published

Standard

'What was the question?': music analysis and the computer. / Marsden, Alan.

Modern Methods for Musicology. ed. / Tim Crawford; Lorna Gibson. Farnham : Ashgate, 2009. p. 137-147 (Digital Research in the Arts and Humanities).

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Harvard

Marsden, A 2009, 'What was the question?': music analysis and the computer. in T Crawford & L Gibson (eds), Modern Methods for Musicology. Digital Research in the Arts and Humanities, Ashgate, Farnham, pp. 137-147.

APA

Marsden, A. (2009). 'What was the question?': music analysis and the computer. In T. Crawford, & L. Gibson (Eds.), Modern Methods for Musicology (pp. 137-147). (Digital Research in the Arts and Humanities). Farnham: Ashgate.

Vancouver

Marsden A. 'What was the question?': music analysis and the computer. In Crawford T, Gibson L, editors, Modern Methods for Musicology. Farnham: Ashgate. 2009. p. 137-147. (Digital Research in the Arts and Humanities).

Author

Marsden, Alan. / 'What was the question?': music analysis and the computer. Modern Methods for Musicology. editor / Tim Crawford ; Lorna Gibson. Farnham : Ashgate, 2009. pp. 137-147 (Digital Research in the Arts and Humanities).

Bibtex

@inbook{d8643f04bc114ff6b53114e3885cfdcd,
title = "'What was the question?': music analysis and the computer.",
abstract = "Four decades ago, a gulf was identified between traditional and computer-based musical research. It seems to exist just as much today in the field of analysis, judging by the small number of studies using computers published in Music Analysis. On the other hand, there are now few impediments to analytical work with computers. Systems for encoding and processing musical information and substantial databases of encoded music are now readily available. However, most examples of research with computers come not from the field of music analysis, but from other areas of systematic musicology, and particularly from Music Information Retrieval. Not only is the methodology and terminology commonly different from those of traditional music analysis, but also the objectives. Using a computer imposes demands of systematic definition, but also opens up new opportunities, and it is inevitable that these should lead musical research with computers in new directions. Though not following the paradigms nor expressed in the language of music analysis, some of this work is nevertheless analytical in nature, and measures to bridge the gulf and bring analytical dividends from current computer-based musical research are proposed.",
author = "Alan Marsden",
year = "2009",
language = "English",
isbn = "9780754673026",
series = "Digital Research in the Arts and Humanities",
publisher = "Ashgate",
pages = "137--147",
editor = "Tim Crawford and Lorna Gibson",
booktitle = "Modern Methods for Musicology",

}

RIS

TY - CHAP

T1 - 'What was the question?': music analysis and the computer.

AU - Marsden, Alan

PY - 2009

Y1 - 2009

N2 - Four decades ago, a gulf was identified between traditional and computer-based musical research. It seems to exist just as much today in the field of analysis, judging by the small number of studies using computers published in Music Analysis. On the other hand, there are now few impediments to analytical work with computers. Systems for encoding and processing musical information and substantial databases of encoded music are now readily available. However, most examples of research with computers come not from the field of music analysis, but from other areas of systematic musicology, and particularly from Music Information Retrieval. Not only is the methodology and terminology commonly different from those of traditional music analysis, but also the objectives. Using a computer imposes demands of systematic definition, but also opens up new opportunities, and it is inevitable that these should lead musical research with computers in new directions. Though not following the paradigms nor expressed in the language of music analysis, some of this work is nevertheless analytical in nature, and measures to bridge the gulf and bring analytical dividends from current computer-based musical research are proposed.

AB - Four decades ago, a gulf was identified between traditional and computer-based musical research. It seems to exist just as much today in the field of analysis, judging by the small number of studies using computers published in Music Analysis. On the other hand, there are now few impediments to analytical work with computers. Systems for encoding and processing musical information and substantial databases of encoded music are now readily available. However, most examples of research with computers come not from the field of music analysis, but from other areas of systematic musicology, and particularly from Music Information Retrieval. Not only is the methodology and terminology commonly different from those of traditional music analysis, but also the objectives. Using a computer imposes demands of systematic definition, but also opens up new opportunities, and it is inevitable that these should lead musical research with computers in new directions. Though not following the paradigms nor expressed in the language of music analysis, some of this work is nevertheless analytical in nature, and measures to bridge the gulf and bring analytical dividends from current computer-based musical research are proposed.

M3 - Chapter

SN - 9780754673026

T3 - Digital Research in the Arts and Humanities

SP - 137

EP - 147

BT - Modern Methods for Musicology

A2 - Crawford, Tim

A2 - Gibson, Lorna

PB - Ashgate

CY - Farnham

ER -