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William of Malmesbury as a Cantor-Historian

Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter

Published
Publication date17/03/2017
Host publicationMedieval Cantors and their Craft: Music, Liturgy and the Shaping of History, 800–1500
EditorsKatie Ann-Marie Bugyis, Andrew B. Kraebel, Margot E. Fassler
Place of PublicationWoodbridge
PublisherYork Medieval Press
Pages222–239
Number of pages18
ISBN (Print)9781903153673
Original languageEnglish

Publication series

NameWriting History in the Middle Ages
PublisherYork Medieval Press

Abstract

Though Robert of Cricklade described William of Malmesbury as a cantor, his exercise of this office hardly figures in the autobiographical passages that pepper the histories for which he is best known—that is, Gesta regum Anglorum, Gesta pontificum Anglorum, and Historia nouella. If their prefaces are to be believed it was a personal predilection for history rather his profession as a monk that drove his efforts as an historian. Though the veracity of this self-representation is doubtful, the latinity and pseudo-classical character of these works would seem to suggest that his activities as a cantor had scarcely any impact on their composition. Yet there are, on the other hand, grounds for thinking that his exercise of this office informed other compositions such as Explanatio Lamentationum Ieremiae, Abbreuiatio Amalarii, and the lost of books of annals. This essay explores the significance of these complexities for our understanding of the ways in which being a cantor helped to shape the writing of history in the Middle Ages.