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Witness to the End of the World: colonialism, the scientific romance and Michael Moorcock's Nomad of the Time Streams trilogy

Research output: Contribution to journalJournal article


<mark>Journal publication date</mark>2005
Issue number1
Number of pages9
Pages (from-to)40-48
<mark>Original language</mark>English


This article argues that Michael Moorcock, one of great re-writers and pasticheurs of post-war British writing, uses the form of the Wellsian scientific romance to explore the discourses of colonialism, exposing the ideological premises of imperial adventure fiction from within.