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  1. Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man

    Harris, G. M., 2016, Reframing Immersive Theatre : The Politics and Pragmatics of Participatory Performance. Frieze, J. (ed.). UK: Palgrave, p. 265-288 23 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review