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  1. Chapter (peer-reviewed)
  2. Published

    Robin Hood’s Passions: Emotion and Embodiment in Anthony Munday’s The Downfall and The Death of Robert, Earle of Huntington (c. 1598) (c.1598)

    Oakley-Brown, E. J., 2/08/2018, Robin Hood and the Outlaw/ed Literary Canon. Coote, L. & Kaufman, A. L. (eds.). Routledge, (Outlaws in Literature, History, and Culture).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  3. Published

    Shakespeare and English translations of the classics

    Oakley-Brown, E. J., 12/04/2017, The Routledge Research Companion to Shakespeare and Classical Literature . Keilen, S. & Moschovakis, N. (eds.). London: Routledge

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  4. Published

    Embodying Greece in Elizabethan England: a rhizomatic review of Shakespeare's Venus and Adonis and Love's Labour's Lost

    Oakley-Brown, E. J., 26/01/2017, Shakespeare and Greece. Findlay, A. & Markidou, V. (eds.). London: Bloomsbury, p. 69-92 24 p. (The Arden Shakespeare).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  5. Published

    'Have you the tongues'? translation, multilingualism and intercultural contact in The Two Gentleman of Verona and Love's Labour's Lost

    Oakley-Brown, L., 2015, Multilingualism in the drama of Shakespeare and his contemporaries. Amsterdam: John Benjamins, p. 115-136 22 p. (Benjamin Current Topics).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  6. Published

    Writing on Borderlines: Thomas Churchyard's The Worthines of Wales

    Oakley-Brown, L., 11/2012, Writing Wales, from the Renaissance to Romanticism . Mottram, S. & Prescott, S. (eds.). Aldershot: Ashgate, p. 39-57 19 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  7. Published

    Elizabethan exile after Ovid: Thomas Churchyard's Tristia (1572)

    Oakley-Brown, L., 1/10/2011, Two thousand years of solitude: exile after Ovid. Ingleheart, J. (ed.). Oxford: Oxford University Press, p. 102-117 16 p. (Classical Presences).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  8. Published

    Mapping texts, spaces, bodies

    Oakley-Brown, L., 2011, Women beware women: a critical guide. Hiscock, A. (ed.). London: Continuum, p. 177-188 12 p. (Renaissance Drama Series).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  9. Chapter
  10. Published

    Prayer, Performance and Community in Early Modern Drama

    Findlay, A., 1/10/2018, Prayer and Performance in Early Modern English Literature: Gesture, Word and Devotion. Sterrett, J. (ed.). Cambridge University Press, p. 84-99 16 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  11. Published

    Gendering the stage

    Findlay, A. G., 05/2017, A New Companion to Renaissance Drama. Kinney, A. & Hopper, T. W. (eds.). Wiley, p. 456-473 18 p. Chapter 32. (Blackwell Companions to Literature and Culture).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  12. Published

    Flogging a dead horse: Margaret Cavendish and the Pursuit of Authority

    Findlay, A. G., 2017, Authority, Authorship and Aristocratic Identity in Seventeenth Century England: William Cavendish, 1st Duke of Newcastle and his Political, Social and Cultural Circle. Edwards, P. & Graham, E. (eds.). Leiden and Boston: Brill, p. 129-147 19 p. (Rulers and Elites: Comparative Studies in Governance).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

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