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  1. Published

    (En)gendering performance: staging plays by early modern women

    Findlay, A. G. ., Hodgson-Wright, S. . & Williams, G., 2000, Crossing boundaries: Attending to early modern women. Donawerth, J. & Seeff, A. (eds.). London: Associated University Presses, p. 289-308 20 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  2. Published

    “Though it be not written down, yet forget not”: cultural amnesia in Shakespeare’s Much Ado About Nothing

    Findlay, A., 2010, In: SYNTHESIS. 2, p. 7-16 10 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  3. Published

    A day to remember: wedding and ceremony in Shakespeare

    Findlay, A., 2012, In: Shakespeare. 8, 4, p. 411-423 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  4. Published

    A woman's space is in the play/house.

    Findlay, A. G., 2000, Women and dramatic production, 1550-1700. Findlay, A., Hodgson-Wright, S. & Williams., G. (eds.). Harlow, England: Longman, p. 177-205 29 p. (Longman medieval and Renaissance library).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  5. Published

    Adam's sons are my brethren: reading Beatrice's feminism, past and present.

    Findlay, A. G., 2004, New studies in the Shakespearean heroine. Brooks, D. A. (ed.). 14 ed. Lewiston: Edwin Mellen Press, p. 1-19 19 p. (A publication of the Shakespeare yearbook).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  6. Published

    Arthur Golding

    Oakley-Brown, L., 01/2012, The Encyclopedia of English Renaissance Literature. Sullivan, G., Stewart, A., Lemon, R., McDowell, N. & Richards, J. (eds.). London: Wiley Blackwell

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  7. Published

    'As you like it'.

    Findlay, A., 2006, The literary encyclopedia.. Clark, R. (ed.).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  8. Published

    Ceremony and Selfhood in The Comedy of Errors (c.1592)

    Findlay, A., 2012, The Oxford handbook of Tudor drama. Betteridge, T. & Walker, G. (eds.). Oxford: Oxford University Press, p. 338-354 17 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  9. Published

    Daughters of Ben.

    Findlay, A. G., 2003, Jonsonians : a living tradition. Woolland, B. (ed.). Aldershot: Ashgate Press, p. 107-120 14 p. (Studies in performance and early modern drama).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  10. Published

    Dramatising Penshurst: Site, Scripts, Sidneys

    Findlay, A. G. (ed.), 2016, In: Sidney Journal. 34, 1

    Research output: Contribution to Journal/Magazine › Special issue › peer-review

  11. Published

    Dramatizing home and memory: Lady Mary Sidney and Lady Mary Wroth

    Findlay, A., 2009, In: Home Cultures. 6, 2, p. 135-147 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  12. Published

    Elizabethan exile after Ovid: Thomas Churchyard's Tristia (1572)

    Oakley-Brown, L., 1/10/2011, Two thousand years of solitude: exile after Ovid. Ingleheart, J. (ed.). Oxford: Oxford University Press, p. 102-117 16 p. (Classical Presences).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  13. Published

    Embodying Greece in Elizabethan England: a rhizomatic review of Shakespeare's Venus and Adonis and Love's Labour's Lost

    Oakley-Brown, E. J., 26/01/2017, Shakespeare and Greece. Findlay, A. & Markidou, V. (eds.). London: Bloomsbury, p. 69-92 24 p. (The Arden Shakespeare).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  14. Published

    English Renaissance Translation Theory. Neil Rhodes, Gordon Kendal, and Louise Wilson, eds. MHRA Tudor & Stuart Translations 9. London: Modern Human Research Association, 2013. xiv + 544 pp. $44.99.

    Oakley-Brown, L., 15/04/2015, In: Renaissance Quarterly. 68, 1, p. 382-384 3 p.

    Research output: Contribution to Journal/Magazine › Book/Film/Article review

  15. Published

    Flogging a dead horse: Margaret Cavendish and the Pursuit of Authority

    Findlay, A. G., 2017, Authority, Authorship and Aristocratic Identity in Seventeenth Century England: William Cavendish, 1st Duke of Newcastle and his Political, Social and Cultural Circle. Edwards, P. & Graham, E. (eds.). Leiden and Boston: Brill, p. 129-147 19 p. (Rulers and Elites: Comparative Studies in Governance).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  16. Published

    For love not money: Community making in non-commercial drama

    Findlay, A., 14/10/2016, Community-Making in Early Stuart Theatres: Stage and Audiences. Johnson, A., Sell, R. & Wilcox, H. (eds.). Routledge, p. 114-139 25 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  17. Published

    Four Weddings, Two Funerals and Tragicomic Resurrection: 'Love’s Victory' and 'Much Ado About Nothing'

    Findlay, A. G., 2015, Mary Wroth and Shakespeare. Salzman, P. & Wynne-Davies, M. (eds.). New York: Routledge, p. 84-94 11 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  18. Published

    Framing Robin Hood: Textuality and Temporality in Anthony Mundy's Huntington Plays.

    Oakley-Brown, L., 2005, Robin Hood: Medieval and Post-Medieval. Four Courts Press, 113 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  19. Published

    Gendering the stage

    Findlay, A. G., 05/2017, A New Companion to Renaissance Drama. Kinney, A. & Hopper, T. W. (eds.). Wiley, p. 456-473 18 p. Chapter 32. (Blackwell Companions to Literature and Culture).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  20. Published

    Gendering the Stage.

    Findlay, A. G., 2002, The Blackwell Companion to Renaissance Drama. Kinney, A. (ed.). Oxford: Blackwell, p. 399-415 17 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  21. Published

    Good sometimes Queen: Richard II, Mary Stuart and the Poetics of Queenship.

    Findlay, A. G., 2006, Shakespeares Histories and Counter-Histories. Manchester University Press, 67 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  22. Published

    ''Have you the tongues?'': Translation, Multilingualism and ''Intercultural Contact'' in The Two Gentlemen of Verona and Love's Labour's Lost

    Oakley-Brown, L., 04/2013, In: English Text Construction. 6, 1, p. 112-133 22 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  23. Published

    'Have you the tongues'? translation, multilingualism and intercultural contact in The Two Gentleman of Verona and Love's Labour's Lost

    Oakley-Brown, L., 2015, Multilingualism in the drama of Shakespeare and his contemporaries. Amsterdam: John Benjamins, p. 115-136 22 p. (Benjamin Current Topics).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  24. Published

    Highe excellente Queene: The Rhetoric of Majesty in Diplomatic Letters Relating to Mary, Queen of Scots

    Findlay, A., 2009, The Ritual and Rhetoric of Queenship: Medieval to Early Modern. Oakley-Brown, L. & Wilkinson, L. J. (eds.). Dublin: Four Courts Press, p. 118-130 13 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  25. Published

    I hate such an old fashioned house : Margaret Cavendish and the search for home.

    Findlay, A. G., 05/2004, In: Early Modern Literature Studies. 14, p. 1-14 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

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