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Professor Beth Harland

Formerly at Lancaster University

  1. Published

    Impermanent Durations; On Painting and Time: (part 2)

    Harland, E. J., 29/07/2016

    Research output: Exhibits, objects and web-based outputsExhibition

  2. Published

    Painting as drift: Roland Barthes’ paintings and the pleasure of the margin

    Harland, E. J., 30/03/2015.

    Research output: Contribution to conference - Without ISBN/ISSN Conference paper

  3. Published

    Behind the eyes, making pictures

    Harland, E. J., 1/06/2013, London: RGAP. 63 p.

    Research output: Book/Report/ProceedingsBook

  4. Published

    Art spectatorship and haptic visuality: an eye movement analysis exploring painting and embodied cognition

    Harland, E. J. & Donnelly, N., 02/2017, Sensory Arts and Design. Heywood, I. (ed.). London: Bloomsbury Academic, p. 175-187 12 p. (Sensory Studies Series).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review

  5. Published

    Impermanent Durations: On Painting and Time (Part 3)

    Harland, E. J., Thomas, D., Lisbon, L. & Woo, I., 13/10/2017

    Research output: Exhibits, objects and web-based outputsExhibition

  6. Published

    Editorial: painting and cinema

    Finch, M. & Harland, E. J., 1/04/2015, In: Journal of Contemporary Painting. 1, 1, p. 5-9 5 p.

    Research output: Contribution to Journal/MagazineEditorialpeer-review

  7. Published

    The influence of pupil alignment on spectator address in Manet's portraiture

    Donnelly, N., Harland, E. J., Thompson, N. & Liversedge, S. P., 1/05/2017, In: Psychology of Aesthetics, Creativity, and the Arts. 11, 2, p. 167-178 12 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

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