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Research

Professor Beth Harland

Formerly at Lancaster University

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  1. Published

    Impermanent Durations; On Painting and Time: (part 2)

    Harland, E. J., 29/07/2016

    Research output: Exhibits, objects and web-based outputs › Exhibition

  2. Published

    Painting as drift: Roland Barthes’ paintings and the pleasure of the margin

    Harland, E. J., 30/03/2015.

    Research output: Contribution to conference - Without ISBN/ISSN › Conference paper

  3. Published

    Behind the eyes, making pictures

    Harland, E. J., 1/06/2013, London: RGAP. 63 p.

    Research output: Book/Report/Proceedings › Book

  4. Published

    Art spectatorship and haptic visuality: an eye movement analysis exploring painting and embodied cognition

    Harland, E. J. & Donnelly, N., 02/2017, Sensory Arts and Design. Heywood, I. (ed.). London: Bloomsbury Academic, p. 175-187 12 p. (Sensory Studies Series).

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

  5. Published

    Impermanent Durations: On Painting and Time (Part 3)

    Harland, E. J., Thomas, D., Lisbon, L. & Woo, I., 13/10/2017

    Research output: Exhibits, objects and web-based outputs › Exhibition

  6. Published

    Abstracting the Set: Monet's cathedrals and stable mental concepts from serial pictorial artworks

    Kass, J., Harland, E. J. & Donnelly, N., 2015, In: Art and Perception. 3, 2, p. 139-150 12 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  7. Published

    The spectatorship of portraits by naïve beholders

    Trawiński, T., Mestry, N., Harland, B., Liversedge, S. P., Godwin, H. J. & Donnelly, N., 28/02/2021, In: Psychology of Aesthetics, Creativity, and the Arts. 15, 1, p. 3-19 17 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

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