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Professor Geraldine Harris

Emeritus

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  1. Book
  2. Published

    A good night out for the girls: popular feminisms in contemporary theatre and performance

    Harris, G. & Aston, E., 2012, London: Palgrave Macmillan. 232 p.

    Research output: Book/Report/Proceedings › Book

  3. Published

    Performance practice and process: contemporary [women] practitioners.

    Aston, E. & Harris, G., 2007, Basingstoke: Palgrave Macmillan. 194 p.

    Research output: Book/Report/Proceedings › Book

  4. Published

    Beyond Representation: Television Drama and the Politics and Aesthetics of Identity.

    Harris, G. M., 2006, Manchester University Press. 200 p.

    Research output: Book/Report/Proceedings › Book

  5. Published

    Feminist futures? theatre, performance, theory

    Harris, G. M. & Aston, E., 2006, Palgrave Macmillan. 243 p.

    Research output: Book/Report/Proceedings › Book

  6. Published

    Staging Femininities: Performance and Performativity

    Harris, G., 1999, Manchester: Manchester University Press.

    Research output: Book/Report/Proceedings › Book

  7. Editorial
  8. Published

    Introduction: Feminisms Now

    Gorman, S., Harris, G. M. & Harvie, J., 10/10/2018, In: Contemporary Theatre Review. 28, 3, p. 278-284 7 p.

    Research output: Contribution to Journal/Magazine › Editorial › peer-review

  9. Published

    Investigating 'Fame-inism': the politics of popular culture

    Ferreday, D. J. & Harris, G. M., 1/12/2017, In: Feminist Theory. 18, 3, p. 239-243 5 p.

    Research output: Contribution to Journal/Magazine › Editorial › peer-review

  10. Book/Film/Article review
  11. Published

    Re-Readings, Unmarked The Politics of Performance by Peggy Phelan

    Harris, G., 20/07/2020, In: Contemporary Theatre Review. 30, 2, p. 278-279 2 p.

    Research output: Contribution to Journal/Magazine › Book/Film/Article review

  12. Journal article
  13. Published

    Performing Transnational Feminist Solidarity? The Vagina Monologues and One Billion Rising

    Harris, G. M., 1/03/2019, In: Theatre Journal. 71, 1, p. 29-48 20 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  14. Published

    Ceci n’est pas un argument appropré (this is not a proper argument)

    Harris, G. M., 2016, In: Studies in Theatre and Performance. 36, 1, p. 52-57 6 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  15. Published

    Post-postfeminism? Amelia Bullmore’s Di and Viv and Rose, April de Angelis’s Jumpy and Karin Young’s The Awkward Squad.

    Harris, G., 2014, In: Contemporary Theatre Review. 24, 2, p. 177-191 15 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  16. Published

    A return to form? postmasculinist television drama and tragic heroes in the wake of The Sopranos.

    Harris, G., 12/2012, In: New Review of Film and Television Studies. 10, 4, p. 443-463 21 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  17. Published

    Aging provocateurs and spect(er)acular pub(l)ic performances

    Stevens Abbitt, E., Frank, J., Harris, G. & Mock, R., 2011, In: Performance Research. 16, 2, p. 50-56 7 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  18. Published

    Watching Whoopi : the politics and ethics of the ethics of witnessing.

    Harris, G., 05/2009, In: Performance Paradigm. 5, 1, p. n/a

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  19. Published

    Susan and Darren : the appearance of authenticity.

    Harris, G., 12/2008, In: Performance Research. 13, 4, p. 4-15 12 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  20. Published

    Foreshadowings and After Blows: Fiona Templeton’s The Medead

    Harris, G., 2004, In: Studies in Theatre and Performance. 23, 3, p. 165-177 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  21. Published

    Double acts, theatrical couples, and Split Britches' 'Double Agency'

    Harris, G., 08/2002, In: New Theatre Quarterly. 18, 3, p. 211-221 11 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  22. Published

    Repetition, quoting, plagerism and iterability (Europe after the rain - again).

    Harris, G., 06/1999, In: Studies in Theatre Production. 19

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  23. Published

    Regarding history - Some narratives concerning the Cafe-Concert, Le Music-Hall, and the feminist academic

    Harris, G., 1996, In: TDR. 40, 4, p. 70-84 15 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  24. Published

    Gender and Devising

    Harris, G., 1994, In: Studies in Theatre Production. 9, p. 2-19 18 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  25. Published

    Confusions of identity in theory and practice

    Harris, G., 1994, In: Contemporary Theatre Review. 2, 1, p. 11-23 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  26. Published

    But Is It Art? Female Performers in the Café-Concert

    Harris, G., 1/11/1989, In: New Theatre Quarterly. 5, 20, p. 334-347 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  27. Published

    A Great Bath of Stupidity: Audience and Class in the Cafe-Concert

    Harris, G., 1987, In: Theatrephile. 2, p. 3-15 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  28. Chapter
  29. Published

    Turing Test: doo-cot Theatre Company's Frankenstein : The Final Blasphemy and the limits of the (post) human.

    Harris, G. M., 2006, Performing Nature: Explorations in Ecology and the Arts. Berne: Peter Lang, 133 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

  30. Published

    It's good to look at one's own shadow: a women's international festival and questions for international feminism

    Harris, G., Aston, E. & Simic, L., 2006, Feminist futures? :theatre, performance, theory . Aston, E. & Harris, G. (eds.). Houndmills: Palgrave Macmillan, p. 169-189 21 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter

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