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Professor Geraldine Harris

Emeritus

  1. 2016
  2. Published

    Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man

    Harris, G. M., 2016, Reframing Immersive Theatre : The Politics and Pragmatics of Participatory Performance. Frieze, J. (ed.). UK: Palgrave, p. 265-288 23 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSNChapter (peer-reviewed)peer-review

  3. 2017
  4. Published

    Investigating 'Fame-inism': the politics of popular culture

    Ferreday, D. J. & Harris, G. M., 1/12/2017, In: Feminist Theory. 18, 3, p. 239-243 5 p.

    Research output: Contribution to Journal/MagazineEditorialpeer-review

  5. 2018
  6. Published

    Introduction: Feminisms Now

    Gorman, S., Harris, G. M. & Harvie, J., 10/10/2018, In: Contemporary Theatre Review. 28, 3, p. 278-284 7 p.

    Research output: Contribution to Journal/MagazineEditorialpeer-review

  7. 2019
  8. Published

    Performing Transnational Feminist Solidarity? The Vagina Monologues and One Billion Rising

    Harris, G. M., 1/03/2019, In: Theatre Journal. 71, 1, p. 29-48 20 p.

    Research output: Contribution to Journal/MagazineJournal articlepeer-review

  9. 2020
  10. Published

    Re-Readings, Unmarked The Politics of Performance by Peggy Phelan

    Harris, G., 20/07/2020, In: Contemporary Theatre Review. 30, 2, p. 278-279 2 p.

    Research output: Contribution to Journal/MagazineBook/Film/Article review

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