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Professor Geraldine Harris

Emeritus

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  1. Published

    A good night out for the girls: popular feminisms in contemporary theatre and performance

    Harris, G. & Aston, E., 2012, London: Palgrave Macmillan. 232 p.

    Research output: Book/Report/Proceedings › Book

  2. Published

    A Great Bath of Stupidity: Audience and Class in the Cafe-Concert

    Harris, G., 1987, In: Theatrephile. 2, p. 3-15 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  3. Published

    A return to form? postmasculinist television drama and tragic heroes in the wake of The Sopranos.

    Harris, G., 12/2012, In: New Review of Film and Television Studies. 10, 4, p. 443-463 21 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  4. Published

    Aging provocateurs and spect(er)acular pub(l)ic performances

    Stevens Abbitt, E., Frank, J., Harris, G. & Mock, R., 2011, In: Performance Research. 16, 2, p. 50-56 7 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  5. Published

    Apres toutes ces elles/ after all this else: ‘new’ French feminisms translated to the British scene

    Harris, G., 2011, Contemporary French Theatre and Performance. Finburgh, C. & Lavery, C. (eds.). Palgrave Macmillan, p. 224-235 12 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed)

  6. Published

    Beyond Representation: Television Drama and the Politics and Aesthetics of Identity.

    Harris, G. M., 2006, Manchester University Press. 200 p.

    Research output: Book/Report/Proceedings › Book

  7. Published

    But Is It Art? Female Performers in the Café-Concert

    Harris, G., 1/11/1989, In: New Theatre Quarterly. 5, 20, p. 334-347 14 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  8. Published

    Ceci n’est pas un argument appropré (this is not a proper argument)

    Harris, G. M., 2016, In: Studies in Theatre and Performance. 36, 1, p. 52-57 6 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  9. Published

    Confusions of identity in theory and practice

    Harris, G., 1994, In: Contemporary Theatre Review. 2, 1, p. 11-23 13 p.

    Research output: Contribution to Journal/Magazine › Journal article › peer-review

  10. Published

    Differences in Degree or Kind? Ockham’s Razor’s Not Until We Are Lost and Punchdrunk’s The Drowned Man

    Harris, G. M., 2016, Reframing Immersive Theatre : The Politics and Pragmatics of Participatory Performance. Frieze, J. (ed.). UK: Palgrave, p. 265-288 23 p.

    Research output: Contribution in Book/Report/Proceedings - With ISBN/ISSN › Chapter (peer-reviewed) › peer-review

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